Miyabigi Series SEIBOKUYA
“Seibokuya” expresses the warmth of wood with its grain and the twinkling of the starry sky in Raden.Since the decoration matches the grain of the wood, the expression of the urushi lacquer part differs from one piece to another.
Miyabigi Series SEIBOKUYA
“Seibokuya” expresses the warmth of wood with its grain and the twinkling of the starry sky in Raden.
Since the decoration matches the grain of the wood, the expression of the urushi lacquer part differs from one piece to another.
Weight | 26.0g |
---|---|
Length | 130.0mm |
Diameter | 16.0mm |
Material | Ebonite |
Product No. | 22041-CKA-84 |
GOAT SHRINK LEATHER
The fountain pen wrapped with goat shrink leather.It is designed with a low center of gravity and metals are used to its cover and screws. Custimization is available to change the color of clip, pen nib, and metal parts.The goat shirink leather is called “chari leather” in Japan, named after Mr. Charles Henninger who was an American tanner who promoted Western-style leather in Japan around the begining of Meiji era.Crumple goat leather tanned with a plants astringency vertically, horizontally, and diagonally many times, to make deep unevenness on the surface. Because most of the processes needs expertise skill, only skilled craftsmen can manufacture it.“Chari leather” is very rare and beautiful leather unique to Japan, it was used as a material for bags.
GOAT SHRINK LEATHER
The fountain pen wrapped with goat shrink leather.
It is designed with a low center of gravity and metals are used to its cover and screws. Custimization is available to change the color of clip, pen nib, and metal parts.
The goat shirink leather is called “chari leather” in Japan, named after Mr. Charles Henninger who was an American tanner who promoted Western-style leather in Japan around the begining of Meiji era.
Crumple goat leather tanned with a plants astringency vertically, horizontally, and diagonally many times, to make deep unevenness on the surface. Because most of the processes needs expertise skill, only skilled craftsmen can manufacture it.
“Chari leather” is very rare and beautiful leather unique to Japan, it was used as a material for bags.
Weight | 38.0g |
---|---|
Length | 150.0mm |
Diameter | 15.4mm |
Material | ABS (Acrylonitrile-butadiene-styrene Resin) |
Product No. | 22038-WKM-85 |
Writer Piccolo TITANIUM
Writer Piccolo model is made with titanium. It is a single thread screw.It has the inorganic texture and weight that comes from the property of metal.
Writer Piccolo TITANIUM
Writer Piccolo model is made with titanium. It is a single thread screw.
It has the inorganic texture and weight that comes from the property of metal.
Weight | 60.0g |
---|---|
Length | 130.0mm |
Diameter | 15.0mm |
Material | Titanium |
Product No. | 22006-WPI-72 |
Cigar Long DESCENDING DRAGON
“Descending Dragon” is drawn to the body. A dragon , has been living for a long period on the ground ascend to the heaven and catch a dragon ball. And the dragon trains there for long years and descends to the ground after training. There are many region opinions about how many years for staying in the heaven such as 100years, or 1,000 years. Also it is said that the color of dragon’s body when falling when rising is also different though the ascending dragon and the descending dragon are a pair of one. A craftsmen use “Hari-Kaki” technique which is scratching small lines by needle for the dragon’s scale. A background is Taka-Makie , a grip section is clouds by several kind of fine gold powders.
Cigar Long DESCENDING DRAGON
“Descending Dragon” is drawn to the body. A dragon , has been living for a long period on the ground ascend to the heaven and catch a dragon ball. And the dragon trains there for long years and descends to the ground after training. There are many region opinions about how many years for staying in the heaven such as 100years, or 1,000 years. Also it is said that the color of dragon’s body when falling when rising is also different though the ascending dragon and the descending dragon are a pair of one. A craftsmen use “Hari-Kaki” technique which is scratching small lines by needle for the dragon’s scale. A background is Taka-Makie , a grip section is clouds by several kind of fine gold powders.
Weight | 24.0g |
---|---|
Length | 170.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 11076-CL7-10 |
Cigar Long FIGHTING ROOSTERS
The details of such as the roosters wings and crest were carefully drawn with Maki-e technique. The dynamism of fighting cocks is expressed through the movement of the tails and soaring feathers. Such as the gold, silver and other colors stand out well on the black base, creating a very beautiful finish.
Cigar Long FIGHTING ROOSTERS
The details of such as the roosters wings and crest were carefully drawn with Maki-e technique. The dynamism of fighting cocks is expressed through the movement of the tails and soaring feathers. Such as the gold, silver and other colors stand out well on the black base, creating a very beautiful finish.
Weight | 24.0g |
---|---|
Length | 170.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 11016-CL5-10 |
Cigar Long KARASU
Based on the crow painting from Yosa Buson’s signature work, “Kite and Crow”, it is expressed in Yako Makie.The old tree and two crows were drawn using “Yako Maki-e” technique, and the snow is drawn by silver powder.And branches of old tree covered with snow is drawn on the grip section using also “Yako Maki-e” technique.Using “Yako Maki-e” technique made it possible to successfully express a calm and somber atmosphere of Ink brush painting (sumi-e).The base color is “Aka-tamenuri”.“Yako Maki-e” is Nakaya’s original name for the technique that drawing motifs with black lacquer on “tamenuri” base. As the Tamenuri background becomes brighter over time, the black lacquered motifs become more apparent.
Cigar Long KARASU
Based on the crow painting from Yosa Buson’s signature work, “Kite and Crow”, it is expressed in Yako Makie.
The old tree and two crows were drawn using “Yako Maki-e” technique, and the snow is drawn by silver powder.
And branches of old tree covered with snow is drawn on the grip section using also “Yako Maki-e” technique.
Using “Yako Maki-e” technique made it possible to successfully express a calm and somber atmosphere of Ink brush painting (sumi-e).
The base color is “Aka-tamenuri”.
“Yako Maki-e” is Nakaya’s original name for the technique that drawing motifs with black lacquer on “tamenuri” base. As the Tamenuri background becomes brighter over time, the black lacquered motifs become more apparent.
Weight | 24.0g |
---|---|
Length | 170.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 17013-CL5-35 |
Cigar Long ROBIN with WHITE ROSE
Cigar Long ROBIN with WHITE ROSE
Weight | 24.0g |
---|---|
Length | 170.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 11042-CL5-51 |
NeoStandard VENETIAN MOON
NeoStandard VENETIAN MOON
Weight | 26.0g |
---|---|
Length | 150.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 11101-WNS-10 |
Cigar Decapod TW BAMBOO TATEWAKU
Cigar Decapod TW BAMBOO TATEWAKU
Weight | 24.0g |
---|---|
Length | 150.0mm |
Diameter | 16.0mm |
Material | Ebonite |
Product No. | 11103-CTW-10 |
NeoStandard KINTSUGI
For new barrel, the kintsugi-style maki-e lacquerware gives the appearance of having been repaired using the kintsugi technique, an ancient Japanese restoration technique.
NeoStandard KINTSUGI
For new barrel, the kintsugi-style maki-e lacquerware gives the appearance of having been repaired using the kintsugi technique, an ancient Japanese restoration technique.
Weight | 26.0g |
---|---|
Length | 150.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 22035-WNS-11 |