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NeoStandard AraiShu
It is best for the daily usage, and has a balance between portability and writing comfort.This model uses single thread screw just the same as desk pen.The color “AraiShu” is a different kind and quaint brighter vermilion from “Shu (vermilion)”. “AraiShu” means a light vermilion color because the color becomes lighter after washing the dyed cloth.The color can be said close to orange red. The color range is wide, from a vermilion like reddish color to a salmon pink kind of color are called “AraiShu”.It is one of the colors that became popular in the late Edo period with the revival of Yamato-e.
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NeoStandard AraiShu
It is best for the daily usage, and has a balance between portability and writing comfort.
This model uses single thread screw just the same as desk pen.
The color “AraiShu” is a different kind and quaint brighter vermilion from “Shu (vermilion)”. “AraiShu” means a light vermilion color because the color becomes lighter after washing the dyed cloth.
The color can be said close to orange red. The color range is wide, from a vermilion like reddish color to a salmon pink kind of color are called “AraiShu”.
It is one of the colors that became popular in the late Edo period with the revival of Yamato-e.
Weight | 26.0g |
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Length | 150.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 05009-WNS-32 |
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NeoStandard ShuNurihanashi
It is best for the daily usage, and has a balance between portability and writing comfort.This model uses single thread screw.The most traditional color of urushi, “Shu(vermilion)” is used and made it matte finish.“Nuri-hanashi (unpolished)” is the technique without polishing after painting.It requires very high level techniques because there are no post processes.
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NeoStandard ShuNurihanashi
It is best for the daily usage, and has a balance between portability and writing comfort.
This model uses single thread screw.
The most traditional color of urushi, “Shu(vermilion)” is used and made it matte finish.
“Nuri-hanashi (unpolished)” is the technique without polishing after painting.
It requires very high level techniques because there are no post processes.
Weight | 26.0g |
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Length | 150.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 05008-WNS-31 |
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NeoStandard KINTSUGI
For new barrel, the kintsugi-style maki-e lacquerware gives the appearance of having been repaired using the kintsugi technique, an ancient Japanese restoration technique.
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NeoStandard KINTSUGI
For new barrel, the kintsugi-style maki-e lacquerware gives the appearance of having been repaired using the kintsugi technique, an ancient Japanese restoration technique.
Weight | 26.0g |
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Length | 150.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 22035-WNS-11 |
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NeoStandard BLUE BIRD
All of the bird’s body is painted with blue over a layer of gold. The wings were created by first drawing the thin lines with gold, and then spreading tiny shells all over.
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NeoStandard BLUE BIRD
All of the bird’s body is painted with blue over a layer of gold. The wings were created by first drawing the thin lines with gold, and then spreading tiny shells all over.
Weight | 26.0g |
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Length | 150.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 11110-WNS-10 |
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Writer Portable FORGET-ME-NOT
Drawing the little blue Forget-me- not flowers on the Kikyo color base express the ephemeral and modest image of the flowers.The leaves are drawn with tsuke-gaki technique and the center part of the flower is drawn with silver lacquer.
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Writer Portable FORGET-ME-NOT
Drawing the little blue Forget-me- not flowers on the Kikyo color base express the ephemeral and modest image of the flowers.
The leaves are drawn with tsuke-gaki technique and the center part of the flower is drawn with silver lacquer.
Weight | 22.0g |
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Length | 150.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 11013-WP5-51 |
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Writer Portable KRISHNA
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Writer Portable KRISHNA
Weight | 20.0g |
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Length | 150.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 11021-WP5-70 |
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NeoStandard FOX with 9 TAILS
The nine tailed fox motif is drawn with Shiro-tamesukashi technique. A fox fire also drawn on the grip section with the same technique.In ancient China, the nine tailed fox was a golden furred legendary creature that was considered a good omen that would bring happiness and a good world. But it was thought to be a kind of a supernatural creature, “yoko” that has passed many years, later on.
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NeoStandard FOX with 9 TAILS
The nine tailed fox motif is drawn with Shiro-tamesukashi technique. A fox fire also drawn on the grip section with the same technique.
In ancient China, the nine tailed fox was a golden furred legendary creature that was considered a good omen that would bring happiness and a good world. But it was thought to be a kind of a supernatural creature, “yoko” that has passed many years, later on.
Weight | 26.0g |
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Length | 150.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 16029-WNS-22 |
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NeoStandard VENETIAN MOON
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NeoStandard VENETIAN MOON
Weight | 26.0g |
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Length | 150.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 11101-WNS-10 |
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Cigar Decapod TW BAMBOO TATEWAKU
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Cigar Decapod TW BAMBOO TATEWAKU
Weight | 24.0g |
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Length | 150.0mm |
Diameter | 16.0mm |
Material | Ebonite |
Product No. | 11103-CTW-10 |