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NeoStandard Kikyo

It is best for the daily usage, and has a balance between portability and writing comfort.
This model uses single thread screw just the same as desk pen.
Base color is the “Blue” which was made after many trials and errors.
It was really difficult to create the satisfying blue because there is quite few has blue color in nature.
The wonderful blue color “Kikyo” that was named after the bellflowers, creates shining glossy and brilliant finish.

NeoStandard AraiShu

It is best for the daily usage, and has a balance between portability and writing comfort.
This model uses single thread screw just the same as desk pen.
The color “AraiShu” is a different kind and quaint brighter vermilion from “Shu (vermilion)”. “AraiShu” means a light vermilion color because the color becomes lighter after washing the dyed cloth.
The color can be said close to orange red. The color range is wide, from a vermilion like reddish color to a salmon pink kind of color are called “AraiShu”.
It is one of the colors that became popular in the late Edo period with the revival of Yamato-e.

NeoStandard ShuNurihanashi

It is best for the daily usage, and has a balance between portability and writing comfort.
This model uses single thread screw.
The most traditional color of urushi, “Shu(vermilion)” is used and made it matte finish.
“Nuri-hanashi (unpolished)” is the technique without polishing after painting.
It requires very high level techniques because there are no post processes.

NeoStandard VENETIAN MOON　

Cigar Decapod TW BAMBOO TATEWAKU　

NeoStandard FOX with 9 TAILS　

The nine tailed fox motif is drawn with Shiro-tamesukashi technique. A fox fire also drawn on the grip section with the same technique.
In ancient China, the nine tailed fox was a golden furred legendary creature that was considered a good omen that would bring happiness and a good world. But it was thought to be a kind of a supernatural creature, “yoko” that has passed many years, later on.

NeoStandard KINTSUGI

For new barrel, the kintsugi-style maki-e lacquerware gives the appearance of having been repaired using the kintsugi technique, an ancient Japanese restoration technique.

NeoStandard BLUE BIRD

All of the bird’s body is painted with blue over a layer of gold. The wings were created by first drawing the thin lines with gold, and then spreading tiny shells all over.

Writer Portable FORGET-ME-NOT　

Drawing the little blue Forget-me- not flowers on the Kikyo color base express the ephemeral and modest image of the flowers.

The leaves are drawn with tsuke-gaki technique and the center part of the flower is drawn with silver lacquer.

Writer Portable KRISHNA