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Writer Piccolo Kikyo

The roof like design that is slightly pointed tip.
The compact fountain pen with excellent portability for memo pads, notebooks, and etc.

Base color is the “Blue” which was made after many trials and errors.
It was really difficult to create the satisfying blue because there is quite few has blue color in nature.
The wonderful blue color “Kikyo” that was named after the bellflowers, creates shining glossy and brilliant finish.

Writer Piccilo AraiShu

The roof like design that is slightly pointed tip.
The compact fountain pen with excellent portability for memo pads, notebooks, and etc.

The color “AraiShu” is a different kind and quaint brighter vermilion from “Shu (vermilion)”. “AraiShu” means a light vermilion color because the color becomes lighter after washing the dyed cloth.
The color can be said close to orange red.
The color range is wide, from a vermilion like reddish color to a salmon pink kind of color are called “AraiShu”.
It is one of the colors that became popular in the late Edo period with the revival of Yamato-e.

Writer Piccolo ShuNurihanashi

The roof like design that is slightly pointed tip.
The compact fountain pen with excellent portability for memo pads, notebooks, and etc.

The most traditional color of urushi, “Shu(vermilion)” is used and made it matte finish.
“Nuri-hanashi (unpolished)” is the technique without polishing after painting.
It requires very high level techniques because there are no post processes.

Cigar Long ROBIN with WHITE ROSE　

NeoStandard VENETIAN MOON　

Cigar Decapod TW BAMBOO TATEWAKU　

NeoStandard KINTSUGI

For new barrel, the kintsugi-style maki-e lacquerware gives the appearance of having been repaired using the kintsugi technique, an ancient Japanese restoration technique.

NeoStandard BLUE BIRD

All of the bird’s body is painted with blue over a layer of gold. The wings were created by first drawing the thin lines with gold, and then spreading tiny shells all over.

Writer Portable FORGET-ME-NOT　

Drawing the little blue Forget-me- not flowers on the Kikyo color base express the ephemeral and modest image of the flowers.

The leaves are drawn with tsuke-gaki technique and the center part of the flower is drawn with silver lacquer.

Writer Portable KRISHNA