Cigar Piccolo SHAKEI-SONSETSU
The motif comes from the Shakei-Sonsetsu, a four-character idioms.It means to study even if one is in a very difficult situation.The four-character idioms comes from the story that Che Yin, a old Chinese politician read under the weak light of firefly in summer, and Sun Kang, a old Chinese official read with the moon light reflected by snow in winter.
Cigar Piccolo SHAKEI-SONSETSU
The motif comes from the Shakei-Sonsetsu, a four-character idioms.
It means to study even if one is in a very difficult situation.
The four-character idioms comes from the story that Che Yin, a old Chinese politician read under the weak light of firefly in summer, and Sun Kang, a old Chinese official read with the moon light reflected by snow in winter.
Weight | 20.0g |
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Length | 130.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 12009-CPI-10 |
Cigar Portable AUTUMN EVENING
We described “Hagi (bush clover)” by the “Yako Maki-e” technique. This motif has many bowstrings so that the contrast of this motif’s edge of the line has also so many. This picture is taken after 1 month from the production. You can see the color slightly changed to red from the edge. As same as “Tame-sukashi” technique, the background in “shu” (red) becomes brighter as time passes. In case of Yako-nuri technique, the main motif (bush clover) is heaped up by black urushi, so this motif shines clearly with bright Shu color as background.
Cigar Portable AUTUMN EVENING
We described “Hagi (bush clover)” by the “Yako Maki-e” technique. This motif has many bowstrings so that the contrast of this motif’s edge of the line has also so many. This picture is taken after 1 month from the production. You can see the color slightly changed to red from the edge. As same as “Tame-sukashi” technique, the background in “shu” (red) becomes brighter as time passes. In case of Yako-nuri technique, the main motif (bush clover) is heaped up by black urushi, so this motif shines clearly with bright Shu color as background.
Weight | 20.0g |
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Length | 150.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 17001-CP5-11 |
Cigar Portable BELL CRICKETS
The motif is bell crickets (Suzumushi). The black background is shaded with gold powder, and the bell crickets are drawn with gold maki-e, and one piece of blue shell is pasted as the wing and drawn the wing lines on it with gold maki-e. The bell crickets antennas are drawn very thin and long, and to wrap around the pen barrel. Even though gold is used extensively, the curves and motifs are drawn with delicate lines to create a rather elegant finish without being too flashy.
Cigar Portable BELL CRICKETS
The motif is bell crickets (Suzumushi). The black background is shaded with gold powder, and the bell crickets are drawn with gold maki-e, and one piece of blue shell is pasted as the wing and drawn the wing lines on it with gold maki-e. The bell crickets antennas are drawn very thin and long, and to wrap around the pen barrel. Even though gold is used extensively, the curves and motifs are drawn with delicate lines to create a rather elegant finish without being too flashy.
Weight | 20.0g |
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Length | 150.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 11030-CP7-10 |
Cigar Long MOOSE
A conifer tree described on a cap is black and a couple of moose on a body is painted with tame-sukashi technique.
Cigar Long MOOSE
A conifer tree described on a cap is black and a couple of moose on a body is painted with tame-sukashi technique.
Weight | 24.0g |
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Length | 166.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 17006-CL5-11 |
Writer Piccolo GRAPES & WINE GLASS
Wine glass was drew by Tamesukashi technique and Yakoh-Makie.We put Raden (sea shell) to some parts of the banch of grapes.
Writer Piccolo GRAPES & WINE GLASS
Wine glass was drew by Tamesukashi technique and Yakoh-Makie.
We put Raden (sea shell) to some parts of the banch of grapes.
Weight | 22.0g |
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Length | 130.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 17010-WPI-35 |
Cigar Long SPERM WHALE & GIANT SQUID
The design on this pen represents a fight between a sperm whale and a giant squid unfolding in the deep sea.The whale is finished with Sumiko and the squid with Taka-Makie.This provides a wonderful contrast, which is further accented by a stream of water in Raden.
Cigar Long SPERM WHALE & GIANT SQUID
The design on this pen represents a fight between a sperm whale and a giant squid unfolding in the deep sea.
The whale is finished with Sumiko and the squid with Taka-Makie.
This provides a wonderful contrast, which is further accented by a stream of water in Raden.
Weight | 24.0g |
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Length | 166.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 11092-CL5-10 |
Cigar Long OWL & MOON
The black background without blurring clearly highlights the owl motif.
Cigar Long OWL & MOON
The black background without blurring clearly highlights the owl motif.
Weight | 24.0g |
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Length | 166.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 11069-CL5-10 |
Cigar Long SUIGYO
A fish swimming slowly in the water is expressed using Raden. The motif is drawn by pasting thinly cut seashells one by one.A fish is drawn on the cap and a stream of water is drawn on the barrel.The cool colors, Shobu is used for the base, imagining “in the water”.
Cigar Long SUIGYO
A fish swimming slowly in the water is expressed using Raden. The motif is drawn by pasting thinly cut seashells one by one.
A fish is drawn on the cap and a stream of water is drawn on the barrel.
The cool colors, Shobu is used for the base, imagining “in the water”.
Weight | 24.0g |
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Length | 166.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 12005-CL5-52 |
Cigar Long TIGER & BAMBOO
Background of “A Tiger and Bamboo”From the ancient period, “White tiger” has been treated as one of the four gods and defending the west. It is also used as for extracting out “Five poisons” making pressure to dishonest. Tiger fighting against dragon has the meaning that power is not easy to decide on victory or defeat. Technique First of all, the base is polished with the lacquering followed by sharpening of bamboo wood and further polishing it with the lacquering . Over the polished lacquer, the main subject TIGER is drawn with the high gilted lacquer. The parts of tiger’s eyes are expressed finely with the flat lacquering. The body portion is artistically painted to bring the similar golden color shade as of real tiger expressing the sense of strongness.
Cigar Long TIGER & BAMBOO
Background of “A Tiger and Bamboo”From the ancient period, “White tiger” has been treated as one of the four gods and defending the west. It is also used as for extracting out “Five poisons” making pressure to dishonest. Tiger fighting against dragon has the meaning that power is not easy to decide on victory or defeat. Technique First of all, the base is polished with the lacquering followed by sharpening of bamboo wood and further polishing it with the lacquering . Over the polished lacquer, the main subject TIGER is drawn with the high gilted lacquer. The parts of tiger’s eyes are expressed finely with the flat lacquering. The body portion is artistically painted to bring the similar golden color shade as of real tiger expressing the sense of strongness.
Weight | 24.0g |
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Length | 166.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 11063-CL5-10 |
Cigar Long DRAGONFLY in THE SUNSET SKY
The dragonfly which has been considered as an auspicious pattern that brings a good luck since ancient times is drawn. The image is that the red sky at sunset expressed by vermillion urushi lacquer and the dragonfly flies in that madder red sky. Vermilion is considered as a presious color represent of sun, fire, and life and has been used respectedly. To express a sunset view, I placed a kinhirame and sprinkled gold and platinum powder to create a pattern that resembled evening clouds. The body of dragonfly is drawn by taka maki-e techinique with gold lacquer, its compound eyes are expressed with kinhirame, and the wings are finished with raden.
Cigar Long DRAGONFLY in THE SUNSET SKY
The dragonfly which has been considered as an auspicious pattern that brings a good luck since ancient times is drawn. The image is that the red sky at sunset expressed by vermillion urushi lacquer and the dragonfly flies in that madder red sky. Vermilion is considered as a presious color represent of sun, fire, and life and has been used respectedly. To express a sunset view, I placed a kinhirame and sprinkled gold and platinum powder to create a pattern that resembled evening clouds. The body of dragonfly is drawn by taka maki-e techinique with gold lacquer, its compound eyes are expressed with kinhirame, and the wings are finished with raden.
Weight | 24.0g |
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Length | 166.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 11012-CL5-30 |