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Dorsal Fin 1 Suzu Ishime (Silver)　

This model has a fin on the cap that acts as a roll stopper. It is designed with the image of a knife.
It is “Suzu Ishime” which uses “roasted tin powder” instead of Kanshitsu (dry lacquer) powder. Using the roasted tin powder made it possible to creates the material finish.
This Suzuishime silver uses the black lacquer for the base, and the finish has the hard brilliance like a fumigated silver and hematite.
“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

Dorsal Fin 1 Suzu Isime (Midori)

This model has a fin on the cap that acts as a roll stopper. It is designed with the image of a knife.
It is “Suzu Ishime” which uses “roasted tin powder” instead of Kanshitsu (dry lacquer) powder.
Using the roasted tin powder made it possible to creates the material finish.
This Suzuishime green uses the special blue-green color lacquer for the base, and the finish becomes soft and bright.
“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

Dorsal Fin 1 Suzu Ishime (Kikyo)　

This model has a fin on the cap that acts as a roll stopper.
It is designed with the image of a knife.
It is “Suzu Ishime” which uses “roasted tin powder” instead of Kanshitsu (dry lacquer) powder. Using the roasted tin powder made it possible to creates the material finish.
This Suzuishime blue uses the blue lacquer for the base, and the finish will be lighter than the black base one, and looks the silver the brighter.
“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

Dorsal Fin 1 Suzu Ishime (Shu)　

This model has a fin on the cap that acts as a roll stopper. It is designed with the image of a knife.
It is “Suzu Ishime” which uses “roasted tin powder” instead of Kanshitsu (dry lacquer) powder.
Using the roasted tin powder made it possible to creates the material finish.
This Suzuishime red uses the Shu(vermilion) lacquer for the base, and the finish will be bright to add a touch of gorgeousness to silver.
“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places. Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

Miyabigi Series KAGOAMIME

Based on the “Rattan Basket” fountain pen of Platinum Fountain Pens CO.,LTD. (produced around year 1924), it is designed in rectilinear form that was mainstream at the time covering with a bamboo basket knitted hexagonally using thinly shaved bamboo. The size is almost the same as Piccolo size.
The end of the cap and barrel, the grip section, and the basket are painted with black lacquer. The parts under the baske are finished with washed vermilion (Arai-shu) lacquer.

*”Hexagonal knitting” is the most popular bamboo knitting which the mesh looks like hexagon.

Miyabigi Series PHERNAMBUCO　

It is the same rectilinear form as “Bamboo Basket Mesh” and set the coveres made from Pernambuco. The size is almost the same as Piccolo but 1~2mm thicker because of the covers.
The end of the cap and barrel, the grip section are painted with black lacquer.
Because Pernambuco is a natural material, each wood grain and color will vary each other. To take advantage of the wood texture, It is only polished. Please be careful not to get ink on it because it is not coated. Also, since Pernambuco was originally used as a raw material for dyes, the color may transfer due to sweat or etc.

Pernambuco is a rare material native to Brazil and is used for the bows of stringed instruments. Due to excessive logging in Brazil, it is now protected by CITES and is difficult to obtain.

Miyabigi Series EIBOKU

The unique pattern of black and gray blending with the warmth of the wood grain contrasts with the chic and calm design.

The name “Eiboku” expresses the simplicity of the combination of the shadow-like pattern and the grain of the wood.

Since the decoration matches the grain of the wood, the expression of the urushi lacquer part differs from one piece to another.

Miyabigi Series KOHAKUBOKU

The wood is decorated with Urusih Nashiji technique.  The deep brown hue and fine shimmer like gold dust are distinctive and very elegant. 

The design, in which the grain of the wood is visible, also evokes a sense of natural and traditional beauty.

The name “amber wood” was chosen to express the transparency and warmth of the amber-like hue.

Since the decoration matches the grain of the wood, the expression of the urushi lacquer part differs from one piece to another.

Miyabigi Series SEIBOKUYA

“Seibokuya” expresses the warmth of wood with its grain and the twinkling of the starry sky in Raden.

Since the decoration matches the grain of the wood, the expression of the urushi lacquer part differs from one piece to another.

Dorsal Fin 1 ICE FIELD　

This pen is designed with image of an ice field in mind.
To sharpen the groove edges, cut it by carving knife.
Adding silver powders slightly to the groove.
It is left unpolished.