Deskpen Kikyo
The longest pen in Nakaya, and it is the best for desk work because it gives stable gripping feel.This model uses single thread screw.Base color is the “Blue” which was made after many trials and errors.It was really difficult to create the satisfying blue because there is quite few has blue color in nature.The wonderful blue color “Kikyo” that was named after the bellflowers, creates shining glossy and brilliant finish.
Deskpen Kikyo
The longest pen in Nakaya, and it is the best for desk work because it gives stable gripping feel.
This model uses single thread screw.
Base color is the “Blue” which was made after many trials and errors.
It was really difficult to create the satisfying blue because there is quite few has blue color in nature.
The wonderful blue color “Kikyo” that was named after the bellflowers, creates shining glossy and brilliant finish.
Weight | 26.0g |
---|---|
Length | 200.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 06011-CDP-51 |
Deskpen AraiShu
The longest pen in Nakaya, and it is the best for desk work because it gives stable gripping feel.This model uses single thread screw.The color “AraiShu” is a different kind and quaint brighter vermilion from “Shu (vermilion)”. “AraiShu” means a light vermilion color because the color becomes lighter after washing the dyed cloth. The color can be said close to orange red. The color range is wide, from a vermilion like reddish color to a salmon pink kind of color are called “AraiShu”.It is one of the colors that became popular in the late Edo period with the revival of Yamato-e.
Deskpen AraiShu
The longest pen in Nakaya, and it is the best for desk work because it gives stable gripping feel.
This model uses single thread screw.
The color “AraiShu” is a different kind and quaint brighter vermilion from “Shu (vermilion)”. “AraiShu” means a light vermilion color because the color becomes lighter after washing the dyed cloth. The color can be said close to orange red. The color range is wide, from a vermilion like reddish color to a salmon pink kind of color are called “AraiShu”.
It is one of the colors that became popular in the late Edo period with the revival of Yamato-e.
Weight | 26.0g |
---|---|
Length | 200.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 06009-CDP-32 |
Deskpen ShuNurihanashi
The longest pen in Nakaya, and it is the best for desk work because it gives stable gripping feel.This model uses single thread screw.The most traditional color of urushi, “Shu(vermilion)” is used and made it matte finish.“Nuri-hanashi (unpolished)” is the technique without polishing after painting.It requires very high level techniques because there are no post processes.
Deskpen ShuNurihanashi
The longest pen in Nakaya, and it is the best for desk work because it gives stable gripping feel.
This model uses single thread screw.
The most traditional color of urushi, “Shu(vermilion)” is used and made it matte finish.
“Nuri-hanashi (unpolished)” is the technique without polishing after painting.
It requires very high level techniques because there are no post processes.
Weight | 26.0g |
---|---|
Length | 200.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 06008-CDP-31 |
Cigar Long ROBIN with WHITE ROSE
Cigar Long ROBIN with WHITE ROSE
Weight | 24.0g |
---|---|
Length | 170.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 11042-CL5-51 |
Cigar Long AOSUJI AGEHA (Common Bluebottle)
The motif is “Aosuji Ageha” which has a beautiful blue-green wing pattern that inhabit mainly in urban areas in Japan (south of Tohoku).The beautiful blue-green lines of its characteristic wings are fantastically expressed with Raden.A butterfly on the cap is drawn by charcoal powder piling up, and the details also are drawn with fine lines of charcoal powders.The blue-green lines on the wings are expressed by pasting finely cut iridescent shells.At the bottom of the body, crushed noctilucent shells were sprended to create a gradation.By using Kuroiro as the base color, the entire design is unified with the black and blue-green image of the Aosuji Ageha, and creating a sophisticated and beautiful finish.
Cigar Long AOSUJI AGEHA (Common Bluebottle)
The motif is “Aosuji Ageha” which has a beautiful blue-green wing pattern that inhabit mainly in urban areas in Japan (south of Tohoku).
The beautiful blue-green lines of its characteristic wings are fantastically expressed with Raden.
A butterfly on the cap is drawn by charcoal powder piling up, and the details also are drawn with fine lines of charcoal powders.
The blue-green lines on the wings are expressed by pasting finely cut iridescent shells.
At the bottom of the body, crushed noctilucent shells were sprended to create a gradation.
By using Kuroiro as the base color, the entire design is unified with the black and blue-green image of the Aosuji Ageha, and creating a sophisticated and beautiful finish.
Weight | 24.0g |
---|---|
Length | 170.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 12007-CL5-10 |
Cigar Decapod TW BAMBOO TATEWAKU
Cigar Decapod TW BAMBOO TATEWAKU
Weight | 24.0g |
---|---|
Length | 150.0mm |
Diameter | 16.0mm |
Material | Ebonite |
Product No. | 11103-CTW-10 |