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Deskpen Toki-tame

The longest pen in Nakaya, and it is the best for desk work because it gives stable gripping feel.
This model uses single thread screw.
The combination of the pinkish base color inspired by the Japanese traditional color “toki-iro” and the upper lacquer, shuai urushi create very soft a bright finish.
“Tamenuri” has the characteristics of translucent amber color like being sucked in, so you can clearly see how the lacquer has accumulated.

Deskpen BlackHairline

The longest pen in Nakaya, and it is the best for desk work because it gives stable gripping feel.
This model uses single thread screw.
Due to the traditional black color lacquer is used for the base color and draw a very thin line to the base each by each very carefully, the hairline like pattern is created.
And the unpolished finish makes vintage and quaint like Sumiko finish.

Deskpen Shobu

The longest pen in Nakaya, and it is the best for desk work because it gives stable gripping feel.
This model uses single thread screw.
Base color is the “Purple” which was made after many trials and errors.
It was quite difficult to create the satisfying purple because the blue-kind colors development is really hard.
The beautiful purple color “Shobu” that was named after the irises, creates shining glossy and deep finish.

Deskpen Midori

The longest pen in Nakaya, and it is the best for desk work because it gives stable gripping feel.
This model uses single thread screw.
Base color is the “Midori” inspired by the color of evergreen leaves.
It was difficult to create the beautiful green because the blue-kind color development is difficult.
The green color creates glossy and brilliant finish.

Deskpen Kikyo

The longest pen in Nakaya, and it is the best for desk work because it gives stable gripping feel.
This model uses single thread screw.
Base color is the “Blue” which was made after many trials and errors.
It was really difficult to create the satisfying blue because there is quite few has blue color in nature.
The wonderful blue color “Kikyo” that was named after the bellflowers, creates shining glossy and brilliant finish.

Deskpen AraiShu

The longest pen in Nakaya, and it is the best for desk work because it gives stable gripping feel.
This model uses single thread screw.
The color “AraiShu” is a different kind and quaint brighter vermilion from “Shu (vermilion)”. “AraiShu” means a light vermilion color because the color becomes lighter after washing the dyed cloth. The color can be said close to orange red. The color range is wide, from a vermilion like reddish color to a salmon pink kind of color are called “AraiShu”.
It is one of the colors that became popular in the late Edo period with the revival of Yamato-e.

Deskpen ShuNurihanashi

The longest pen in Nakaya, and it is the best for desk work because it gives stable gripping feel.
This model uses single thread screw.
The most traditional color of urushi, “Shu(vermilion)” is used and made it matte finish.
“Nuri-hanashi (unpolished)” is the technique without polishing after painting.
It requires very high level techniques because there are no post processes.

Cigar Long Suzu Ishime (Shu)　

It is “Suzu Ishime” which uses “roasted tin powder” instead of Kanshitsu (dry lacquer) powder.
Using the roasted tin powder made it possible to creates the material finish.
This Suzu Ishime Shu uses the Shu(vermilion) lacquer for the base, and the finish will be bright to add a touch of gorgeousness to silver.

“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

Cigar Long Kuro-tame Ishime　

“Kuro-tame Ishime” uses the shu (vermilion) lacquer for a base color and a black dry lacquer powder.
The finish becomes rough and powerful like a lava, the same as “Ishime kanshitsu, Aka-tamenuri”. “Ishime kanshitsu, Kuro-tamenuri” has a darker color because it uses the shuai urushi lacquer mixed with black lacquer for the finish.

“Ishime” is created with the special technique that makes stone like texture on the surface. When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

Cigar Long Aka-tame Ishime　

”Aka-tame Ishime” uses the shu (vermilion) lacquer for a base color and a black dry lacquer powder, and finishs with a shu-ai lacquer.
It is similar to “Ishime kanshitsu, Kuro-tamenuri” finish but it has more reddish color. So it seems like a hot lava.

“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.