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Dorsal Fin 1 Suzu Ishime (Kikyo)　

This model has a fin on the cap that acts as a roll stopper.
It is designed with the image of a knife.
It is “Suzu Ishime” which uses “roasted tin powder” instead of Kanshitsu (dry lacquer) powder. Using the roasted tin powder made it possible to creates the material finish.
This Suzuishime blue uses the blue lacquer for the base, and the finish will be lighter than the black base one, and looks the silver the brighter.
“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

Dorsal Fin 1 Suzu Ishime (Shu)　

This model has a fin on the cap that acts as a roll stopper. It is designed with the image of a knife.
It is “Suzu Ishime” which uses “roasted tin powder” instead of Kanshitsu (dry lacquer) powder.
Using the roasted tin powder made it possible to creates the material finish.
This Suzuishime red uses the Shu(vermilion) lacquer for the base, and the finish will be bright to add a touch of gorgeousness to silver.
“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places. Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

Dorsal Fin 2 Suzu Ishime (Midori）

This model has fins on the cap and the body that acts as a roll stopper.

It is designed with the image of a Katana, a sword.
It is “Suzuishime” which uses “roasted tin powder” instead of Kanshitsu (dry lacquer) powder.
Using the roasted tin powder made it possible to creates the material finish.
This Suzuishime green uses the special blue-green color lacquer for the base, and the finish becomes soft and bright.
“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

*The Music (pen nib) is quite unique, so it is NOT available with Dorsal Fin 2 model.

Dorsal Fin 2 Suzu Ishime (Silver)　

This model has fins on the cap and the body that acts as a roll stopper.
It is designed with the image of a Katana, a sword.
It is “Suzuishime” which uses “roasted tin powder” instead of Kanshitsu (dry lacquer) powder.
Using the roasted tin powder made it possible to creates the material finish.
This Suzuishime silver uses the black lacquer for the base, and the finish has the hard brilliance like a fumigated silver and hematite.
“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

*The Music (pen nib) is quite unique, so it is NOT available with Dorsal Fin 2 model.

Dorsal Fin 2 Suzu Ishime (Kikyo）　

This model has fins on the cap and the body that acts as a roll stopper. It is designed with the image of a Katana, a sword.
It is “Suzuishime” which uses “roasted tin powder” instead of Kanshitsu (dry lacquer) powder.
Using the roasted tin powder made it possible to creates the material finish.
This Suzuishime blue uses the blue lacquer for the base, and the finish will be lighter than the black base one, and looks the silver the brighter.
“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

*The Music (pen nib) is quite unique, so it is NOT available with Dorsal Fin 2 model.

Dorsal Fin 2 Suzu Ishime (Shu）

This model has fins on the cap and the body that acts as a roll stopper. It is designed with the image of a Katana, a sword.
It is “Suzuishime” which uses “roasted tin powder” instead of Kanshitsu (dry lacquer) powder.
Using the roasted tin powder made it possible to creates the material finish.
This Suzuishime red uses the Shu(vermilion) lacquer for the base, and the finish will be bright to add a touch of gorgeousness to silver.
“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places. Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.
*The Music (pen nib) is quite unique, so it is NOT available with Dorsal Fin 2 model.

D-17 Long KARASU TENGU　

The motif is the crow tengu. Like the tengu, there are legends of Karasu-tengu in various parts of Japan, and although there is no established theory, it is said that Karasu-tengu excelled at swordsmanship, had divine powers, and even taught swordsmanship to Ushiwakamaru in Kurama, Kyoto. It is said that he taught Ushiwakamaru swordsmanship in Kurama, Kyoto. This piece is made using the advanced technique of kaki-wari based on charcoal powder finishing.

Cigar Piccolo SANYO-CHU (Trilobite)　

Trilobite fossil finished with charcoal powder.
It is a painstaking process in which layers of charcoal powder are piled up and scraped away little by little, as if digging up a real fossil.

Cigar Long Suzu Ishime (Silver)　

It is “Suzu Ishime” which uses “roasted tin powder” instead of Kanshitsu (dry lacquer) powder.
Using the roasted tin powder made it possible to creates the material finish.
This “Suzu Ishime Silver” uses the black lacquer for the base, and the finish has the hard brilliance like a fumigated silver and hematite.

“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

Cigar Portable SPIDER

Nakaya expressed a Spider (Kumo) by “Sumiko” (charcoal powder) technique. The web was written by a thin brush pen and polished up (“togi-dashi”) after sprinking silver powders. The Spider has an appearance of solidity by “Taka-Maki-e” heaping up technology with black and yellow Urushi lacquer and polish up. (“togi-dashi”). Lastly, we added in detail parts of the Spider and polished up as Roiro (gross) finishing. On the grip section, a craftman used gold powder as base. A flower was written in gold, a butterfly was heaped up by Urushi lacquer and sprinkled by gold powder and rubbed with black and white Urushi and polished. (“togi-dashi”).