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Dorsal Fin 2 Suzu Ishime (Silver)　

This model has fins on the cap and the body that acts as a roll stopper.
It is designed with the image of a Katana, a sword.
It is “Suzuishime” which uses “roasted tin powder” instead of Kanshitsu (dry lacquer) powder.
Using the roasted tin powder made it possible to creates the material finish.
This Suzuishime silver uses the black lacquer for the base, and the finish has the hard brilliance like a fumigated silver and hematite.
“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

*The Music (pen nib) is quite unique, so it is NOT available with Dorsal Fin 2 model.

Dorsal Fin 2 Suzu Ishime (Midori）

This model has fins on the cap and the body that acts as a roll stopper.

It is designed with the image of a Katana, a sword.
It is “Suzuishime” which uses “roasted tin powder” instead of Kanshitsu (dry lacquer) powder.
Using the roasted tin powder made it possible to creates the material finish.
This Suzuishime green uses the special blue-green color lacquer for the base, and the finish becomes soft and bright.
“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

*The Music (pen nib) is quite unique, so it is NOT available with Dorsal Fin 2 model.

Dorsal Fin 2 Suzu Ishime (Kikyo）　

This model has fins on the cap and the body that acts as a roll stopper. It is designed with the image of a Katana, a sword.
It is “Suzuishime” which uses “roasted tin powder” instead of Kanshitsu (dry lacquer) powder.
Using the roasted tin powder made it possible to creates the material finish.
This Suzuishime blue uses the blue lacquer for the base, and the finish will be lighter than the black base one, and looks the silver the brighter.
“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

*The Music (pen nib) is quite unique, so it is NOT available with Dorsal Fin 2 model.

Dorsal Fin 2 Suzu Ishime (Shu）

This model has fins on the cap and the body that acts as a roll stopper. It is designed with the image of a Katana, a sword.
It is “Suzuishime” which uses “roasted tin powder” instead of Kanshitsu (dry lacquer) powder.
Using the roasted tin powder made it possible to creates the material finish.
This Suzuishime red uses the Shu(vermilion) lacquer for the base, and the finish will be bright to add a touch of gorgeousness to silver.
“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places. Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.
*The Music (pen nib) is quite unique, so it is NOT available with Dorsal Fin 2 model.

Cigar Portable AKEBONO

The transparent acrylic pen barrel is painted with “Akebono-nuri” technique.
To take advantage of the transparency of acrylic, transparent amber lacquer instead of vermilion is used for painting with the “Akebono-nuri” technique. And it is blurred to gradually be transparent towards both ends.

“Akebono-nuri” is a lacquer painting technique in which black lacquer is applied over vermilion lacquer and polished to reveal the underlying vermilion. It is said that the name comes from that the vermilion pattern on the black background looks like a dawn shining through darkness.

Cigar Portable PHUNTOM FISH

It is a design of a fish looking up from the bottom of the water.
Inspired by Emile Gallé’s lamps, “Akebono-nuri” technique with black lacquer and transparent amber lacquer is used for creating a transparent body. Furthermore, in order not to loose its transparency, the motif is drawn using several layers of transparent amber lacquer.

Cigar Portable BOOKS & AUTUMN SUNSHINE　

We tried to express the image of autumn with stacked books and leaves. We made use of the watermark on the skeleton barrel for the sunlight filtering through the trees. The transparency of the light will become clearer with the passage of time.

Cigar Portable CRYSTAL ZARYU

Cigar Portable MIDNIGHT SPIDER

Cigar Long Suzu Ishime (Silver)　

It is “Suzu Ishime” which uses “roasted tin powder” instead of Kanshitsu (dry lacquer) powder.
Using the roasted tin powder made it possible to creates the material finish.
This “Suzu Ishime Silver” uses the black lacquer for the base, and the finish has the hard brilliance like a fumigated silver and hematite.

“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.