Cigar Long SPERM WHALE & GIANT SQUID
The design on this pen represents a fight between a sperm whale and a giant squid unfolding in the deep sea.The whale is finished with Sumiko and the squid with Taka-Makie.This provides a wonderful contrast, which is further accented by a stream of water in Raden.
Cigar Long SPERM WHALE & GIANT SQUID
The design on this pen represents a fight between a sperm whale and a giant squid unfolding in the deep sea.
The whale is finished with Sumiko and the squid with Taka-Makie.
This provides a wonderful contrast, which is further accented by a stream of water in Raden.
Weight | 24.0g |
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Length | 170.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 11092-CL5-10 |
Cigar Long OWL & MOON
The black background without blurring clearly highlights the owl motif.
Cigar Long OWL & MOON
The black background without blurring clearly highlights the owl motif.
Weight | 24.0g |
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Length | 170.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 11069-CL5-10 |
Cigar Long SUIGYO
A fish swimming slowly in the water is expressed using Raden. The motif is drawn by pasting thinly cut seashells one by one.A fish is drawn on the cap and a stream of water is drawn on the barrel.The cool colors, Shobu is used for the base, imagining “in the water”.
Cigar Long SUIGYO
A fish swimming slowly in the water is expressed using Raden. The motif is drawn by pasting thinly cut seashells one by one.
A fish is drawn on the cap and a stream of water is drawn on the barrel.
The cool colors, Shobu is used for the base, imagining “in the water”.
Weight | 24.0g |
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Length | 170.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 12005-CL5-52 |
Cigar Long TIGER & BAMBOO
Background of “A Tiger and Bamboo”From the ancient period, “White tiger” has been treated as one of the four gods and defending the west. It is also used as for extracting out “Five poisons” making pressure to dishonest. Tiger fighting against dragon has the meaning that power is not easy to decide on victory or defeat. Technique First of all, the base is polished with the lacquering followed by sharpening of bamboo wood and further polishing it with the lacquering . Over the polished lacquer, the main subject TIGER is drawn with the high gilted lacquer. The parts of tiger’s eyes are expressed finely with the flat lacquering. The body portion is artistically painted to bring the similar golden color shade as of real tiger expressing the sense of strongness.
Cigar Long TIGER & BAMBOO
Background of “A Tiger and Bamboo”From the ancient period, “White tiger” has been treated as one of the four gods and defending the west. It is also used as for extracting out “Five poisons” making pressure to dishonest. Tiger fighting against dragon has the meaning that power is not easy to decide on victory or defeat. Technique First of all, the base is polished with the lacquering followed by sharpening of bamboo wood and further polishing it with the lacquering . Over the polished lacquer, the main subject TIGER is drawn with the high gilted lacquer. The parts of tiger’s eyes are expressed finely with the flat lacquering. The body portion is artistically painted to bring the similar golden color shade as of real tiger expressing the sense of strongness.
Weight | 24.0g |
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Length | 170.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 11063-CL5-10 |
Cigar Long DRAGONFLY in THE SUNSET SKY
The dragonfly which has been considered as an auspicious pattern that brings a good luck since ancient times is drawn. The image is that the red sky at sunset expressed by vermillion urushi lacquer and the dragonfly flies in that madder red sky. Vermilion is considered as a presious color represent of sun, fire, and life and has been used respectedly. To express a sunset view, I placed a kinhirame and sprinkled gold and platinum powder to create a pattern that resembled evening clouds. The body of dragonfly is drawn by taka maki-e techinique with gold lacquer, its compound eyes are expressed with kinhirame, and the wings are finished with raden.
Cigar Long DRAGONFLY in THE SUNSET SKY
The dragonfly which has been considered as an auspicious pattern that brings a good luck since ancient times is drawn. The image is that the red sky at sunset expressed by vermillion urushi lacquer and the dragonfly flies in that madder red sky. Vermilion is considered as a presious color represent of sun, fire, and life and has been used respectedly. To express a sunset view, I placed a kinhirame and sprinkled gold and platinum powder to create a pattern that resembled evening clouds. The body of dragonfly is drawn by taka maki-e techinique with gold lacquer, its compound eyes are expressed with kinhirame, and the wings are finished with raden.
Weight | 24.0g |
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Length | 170.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 11012-CL5-30 |
Writer Piccolo TITANIUM
Writer Piccolo model is made with titanium. It is a single thread screw.It has the inorganic texture and weight that comes from the property of metal.
Writer Piccolo TITANIUM
Writer Piccolo model is made with titanium. It is a single thread screw.
It has the inorganic texture and weight that comes from the property of metal.
Weight | 60.0g |
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Length | 130.0mm |
Diameter | 15.0mm |
Material | Titanium |
Product No. | 22006-WPI-72 |
GOAT SHRINK LEATHER
The fountain pen wrapped with goat shrink leather.It is designed with a low center of gravity and metals are used to its cover and screws. Custimization is available to change the color of clip, pen nib, and metal parts.The goat shirink leather is called “chari leather” in Japan, named after Mr. Charles Henninger who was an American tanner who promoted Western-style leather in Japan around the begining of Meiji era.Crumple goat leather tanned with a plants astringency vertically, horizontally, and diagonally many times, to make deep unevenness on the surface. Because most of the processes needs expertise skill, only skilled craftsmen can manufacture it.“Chari leather” is very rare and beautiful leather unique to Japan, it was used as a material for bags.
GOAT SHRINK LEATHER
The fountain pen wrapped with goat shrink leather.
It is designed with a low center of gravity and metals are used to its cover and screws. Custimization is available to change the color of clip, pen nib, and metal parts.
The goat shirink leather is called “chari leather” in Japan, named after Mr. Charles Henninger who was an American tanner who promoted Western-style leather in Japan around the begining of Meiji era.
Crumple goat leather tanned with a plants astringency vertically, horizontally, and diagonally many times, to make deep unevenness on the surface. Because most of the processes needs expertise skill, only skilled craftsmen can manufacture it.
“Chari leather” is very rare and beautiful leather unique to Japan, it was used as a material for bags.
Weight | 38.0g |
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Length | 150.0mm |
Diameter | 15.4mm |
Material | ABS (Acrylonitrile-butadiene-styrene Resin) |
Product No. | 22038-WKM-85 |
Cigar Long AOSUJI AGEHA (Common Bluebottle)
The motif is “Aosuji Ageha” which has a beautiful blue-green wing pattern that inhabit mainly in urban areas in Japan (south of Tohoku).The beautiful blue-green lines of its characteristic wings are fantastically expressed with Raden.A butterfly on the cap is drawn by charcoal powder piling up, and the details also are drawn with fine lines of charcoal powders.The blue-green lines on the wings are expressed by pasting finely cut iridescent shells.At the bottom of the body, crushed noctilucent shells were sprended to create a gradation.By using Kuroiro as the base color, the entire design is unified with the black and blue-green image of the Aosuji Ageha, and creating a sophisticated and beautiful finish.
Cigar Long AOSUJI AGEHA (Common Bluebottle)
The motif is “Aosuji Ageha” which has a beautiful blue-green wing pattern that inhabit mainly in urban areas in Japan (south of Tohoku).
The beautiful blue-green lines of its characteristic wings are fantastically expressed with Raden.
A butterfly on the cap is drawn by charcoal powder piling up, and the details also are drawn with fine lines of charcoal powders.
The blue-green lines on the wings are expressed by pasting finely cut iridescent shells.
At the bottom of the body, crushed noctilucent shells were sprended to create a gradation.
By using Kuroiro as the base color, the entire design is unified with the black and blue-green image of the Aosuji Ageha, and creating a sophisticated and beautiful finish.
Weight | 24.0g |
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Length | 170.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 12007-CL5-10 |
NeoStandard VENETIAN MOON
NeoStandard VENETIAN MOON
Weight | 26.0g |
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Length | 150.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 11101-WNS-10 |