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Cigar Piccolo IZUMO NO MGATAMA

Writer Portable AUTUMN COLORS

A lot of autumn leaves are drawn with Aka-tamesukashi technique. By making it 2 layers, the result is a deep finish with added depth.
For the grip section, finish of dense sprinkling with gold powders “Nashiji” technique is used and some leaves are drawn on it with Yako maki-e technique as an accent.

Cigar Long Kuro-tame Ishime　

“Kuro-tame Ishime” uses the shu (vermilion) lacquer for a base color and a black dry lacquer powder.
The finish becomes rough and powerful like a lava, the same as “Ishime kanshitsu, Aka-tamenuri”. “Ishime kanshitsu, Kuro-tamenuri” has a darker color because it uses the shuai urushi lacquer mixed with black lacquer for the finish.

“Ishime” is created with the special technique that makes stone like texture on the surface. When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

Cigar Long Aka-tame Ishime　

”Aka-tame Ishime” uses the shu (vermilion) lacquer for a base color and a black dry lacquer powder, and finishs with a shu-ai lacquer.
It is similar to “Ishime kanshitsu, Kuro-tamenuri” finish but it has more reddish color. So it seems like a hot lava.

“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

Suzu Isihme (Midori)　

It is “Suzu Ishime” which uses “roasted tin powder” instead of Kanshitsu (dry lacquer) powder.
Using the roasted tin powder made it possible to creates the material finish.
This Suzuishime green uses the blue lacquer for the base, and the finish will be lighter than the black base one, and looks the silver the brighter.

“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

Cigar Long Suzu Ishime (Shu)　

It is “Suzu Ishime” which uses “roasted tin powder” instead of Kanshitsu (dry lacquer) powder.
Using the roasted tin powder made it possible to creates the material finish.
This Suzu Ishime Shu uses the Shu(vermilion) lacquer for the base, and the finish will be bright to add a touch of gorgeousness to silver.

“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

Writer Long PHEASANT CAT

A tabby cat is drawn with Tame-sukashi technique in the body. The paw prints are designed in the cap. Base is Aka-tamenuri.

Writer Long DARK NIGHT OWL

This pen is expressed ‘Owl’ under the layer of “Aka-tamenuri” technique.

Cigar Potable Heki-tame Ishime

“Heki-tame Ishime” uses the special blue color lacquer for a base and the same special color dry lacquer powder, and finishs with a shu-ai lacquer.
The combination of the gentle yellow-green like a young grass and the brown of shuai lacquer creates a color that resembles green jasper.

“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

Cigar Portable BLUE ASCENDING DRAGON

The motif is an Ascending Dragon. This is expressed by Ao-tamesukashi technique, painting light blue lacquer as a base and drawing the dragon motif with silver powder, then painting transparent blue lacquer on it.
Blue color is very difficult to adjust, so it will appear quite dark at first. Therefore, it may take some time for the motif to become visible. Please enjoy the changes time goes by.