Search results

Cigar Portable DRAGONFLYS

We painted dragonfly on a transparent acrylic pen.
Akebono lacquering of black and vermilion combined lacquer was applied to the transparent base, inspired by Emile Gallé’s lamps. In order not to spoil the transparency of the base, we heaped up several layers of Shu-ai urushi and painted the motif.

Cigar Long Suzu Ishime (Midori)　

It is “Suzu Ishime” which uses “roasted tin powder” instead of Kanshitsu (dry lacquer) powder.
Using the roasted tin powder made it possible to creates the material finish.
This Suzuishime green uses the special blue-green color lacquer for the base, and the finish becomes soft and bright.

“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

Cigar Potable Heki-tame Ishime

“Heki-tame Ishime” uses the special blue color lacquer for a base and the same special color dry lacquer powder, and finishs with a shu-ai lacquer.
The combination of the gentle yellow-green like a young grass and the brown of shuai lacquer creates a color that resembles green jasper.

“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

Cigar Long Kuro-tame Ishime　

“Kuro-tame Ishime” uses the shu (vermilion) lacquer for a base color and a black dry lacquer powder.
The finish becomes rough and powerful like a lava, the same as “Ishime kanshitsu, Aka-tamenuri”. “Ishime kanshitsu, Kuro-tamenuri” has a darker color because it uses the shuai urushi lacquer mixed with black lacquer for the finish.

“Ishime” is created with the special technique that makes stone like texture on the surface. When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

Cigar Long Aka-tame Ishime　

”Aka-tame Ishime” uses the shu (vermilion) lacquer for a base color and a black dry lacquer powder, and finishs with a shu-ai lacquer.
It is similar to “Ishime kanshitsu, Kuro-tamenuri” finish but it has more reddish color. So it seems like a hot lava.

“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

Cigar Long Suzu Ishime (Shu)　

It is “Suzu Ishime” which uses “roasted tin powder” instead of Kanshitsu (dry lacquer) powder.
Using the roasted tin powder made it possible to creates the material finish.
This Suzu Ishime Shu uses the Shu(vermilion) lacquer for the base, and the finish will be bright to add a touch of gorgeousness to silver.

“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.