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Cigar Long WILD DRAGON

This is a popular dragon motif. Designed with the image of a Japanese dragon, with a more ferocious facial expression than ascending dragon. A jewel is held in the dragon’s hand, and a magatama, an ancient Japanese ornamental stone is inside the jewel. A dragon’s claw designed like a tomoe crest is drawn in the grip section.

Cigar Long TIGER ＆ BAMBOO

Background of “A Tiger and Bamboo”From the ancient period, “White tiger” has been treated as one of the four gods and defending the west. It is also used as for extracting out “Five poisons” making pressure to dishonest. Tiger fighting against dragon has the meaning that power is not easy to decide on victory or defeat. Technique First of all, the base is polished with the lacquering followed by sharpening of bamboo wood and further polishing it with the lacquering . Over the polished lacquer, the main subject TIGER is drawn with the high gilted lacquer. The parts of tiger’s eyes are expressed finely with the flat lacquering. The body portion is artistically painted to bring the similar golden color shade as of real tiger expressing the sense of strongness.

Cigar Long DRAGONFLY in THE SUNSET SKY

The dragonfly which has been considered as an auspicious pattern that brings a good luck since ancient times is drawn. The image is that the red sky at sunset expressed by vermillion urushi lacquer and the dragonfly flies in that madder red sky. Vermilion is considered as a presious color represent of sun, fire, and life and has been used respectedly. To express a sunset view, I placed a kinhirame and sprinkled gold and platinum powder to create a pattern that resembled evening clouds. The body of dragonfly is drawn by taka maki-e techinique with gold lacquer, its compound eyes are expressed with kinhirame, and the wings are finished with raden.

Cigar Long AOSUJI AGEHA (Common Bluebottle)　

The motif is “Aosuji Ageha” which has a beautiful blue-green wing pattern that inhabit mainly in urban areas in Japan (south of Tohoku).
The beautiful blue-green lines of its characteristic wings are fantastically expressed with Raden.
A butterfly on the cap is drawn by charcoal powder piling up, and the details also are drawn with fine lines of charcoal powders.
The blue-green lines on the wings are expressed by pasting finely cut iridescent shells.
At the bottom of the body, crushed noctilucent shells were sprended to create a gradation.
By using Kuroiro as the base color, the entire design is unified with the black and blue-green image of the Aosuji Ageha, and creating a sophisticated and beautiful finish.

NeoStandard FOX with 9 TAILS　

The nine tailed fox motif is drawn with Shiro-tamesukashi technique. A fox fire also drawn on the grip section with the same technique.
In ancient China, the nine tailed fox was a golden furred legendary creature that was considered a good omen that would bring happiness and a good world. But it was thought to be a kind of a supernatural creature, “yoko” that has passed many years, later on.

NeoStandard VENETIAN MOON