Writer Long SKULL
A skull is put on the top of the cap on the barrel which is heaped up with charcoal powder. A skull is finished with vermeil (gold plated on silver). A clip is made of black urushi lacquer baked on and heaped up with a little gold. The clip is made to look like a backbone and the face of the skull goes around to the back of the cap so that you can’t tell it is a skull when you put it in, but when you take it out, you can tell it is a skull.
Writer Long SKULL
A skull is put on the top of the cap on the barrel which is heaped up with charcoal powder. A skull is finished with vermeil (gold plated on silver). A clip is made of black urushi lacquer baked on and heaped up with a little gold. The clip is made to look like a backbone and the face of the skull goes around to the back of the cap so that you can’t tell it is a skull when you put it in, but when you take it out, you can tell it is a skull.
Weight | 26.0g |
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Length | 166.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 13016-WL5-13 |
Writer Portable GOKO DOKURO (Centipede & Skull)
People’s deep seated grude changes into the apparition expressed by Sumik- technique. A Centipede creeps out from the cave of trees is projected on this pen. A n allowhead is described as disregarding like the former artwork “Ayakeshi” on the grip section. The story of the Centipede extermination originates in Hyota Tawara (Hidesato Fujiwiara). After raising by rust (called “Sabi-age”” technique)for a background, paint Urushi with Sumiko with silver powders. The Sabiage (rust raising) technque is a suitable technique though effectively goes down also to a crackframing part that exists in the work of the former artwork (East and West encounter) use,and puts out violent. A Centipede is pained in colors after Gin-yuji heaping up technique and grossly polished. For a grip section, we sprinkled gold powders after rust raising technique and Sumiko finishing. Lastly, we set a silver rolling stopper of Skull at the top of the pen.
Writer Portable GOKO DOKURO (Centipede & Skull)
People’s deep seated grude changes into the apparition expressed by Sumik- technique. A Centipede creeps out from the cave of trees is projected on this pen. A n allowhead is described as disregarding like the former artwork “Ayakeshi” on the grip section. The story of the Centipede extermination originates in Hyota Tawara (Hidesato Fujiwiara). After raising by rust (called “Sabi-age”” technique)for a background, paint Urushi with Sumiko with silver powders. The Sabiage (rust raising) technque is a suitable technique though effectively goes down also to a crackframing part that exists in the work of the former artwork (East and West encounter) use,and puts out violent. A Centipede is pained in colors after Gin-yuji heaping up technique and grossly polished. For a grip section, we sprinkled gold powders after rust raising technique and Sumiko finishing. Lastly, we set a silver rolling stopper of Skull at the top of the pen.
Weight | 30.0g |
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Length | 150.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 13010-WP5-13 |
D-17 Long KARASU TENGU
The motif is the crow tengu. Like the tengu, there are legends of Karasu-tengu in various parts of Japan, and although there is no established theory, it is said that Karasu-tengu excelled at swordsmanship, had divine powers, and even taught swordsmanship to Ushiwakamaru in Kurama, Kyoto. It is said that he taught Ushiwakamaru swordsmanship in Kurama, Kyoto. This piece is made using the advanced technique of kaki-wari based on charcoal powder finishing.
D-17 Long KARASU TENGU
The motif is the crow tengu. Like the tengu, there are legends of Karasu-tengu in various parts of Japan, and although there is no established theory, it is said that Karasu-tengu excelled at swordsmanship, had divine powers, and even taught swordsmanship to Ushiwakamaru in Kurama, Kyoto. It is said that he taught Ushiwakamaru swordsmanship in Kurama, Kyoto. This piece is made using the advanced technique of kaki-wari based on charcoal powder finishing.
Weight | 32.0g |
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Length | 166.0mm |
Diameter | 17.0mm |
Material | Ebonite |
Product No. | 13020-CL7-13 |
Cigar Piccolo SANYO-CHU (Trilobite)
Trilobite fossil finished with charcoal powder. It is a painstaking process in which layers of charcoal powder are piled up and scraped away little by little, as if digging up a real fossil.
Cigar Piccolo SANYO-CHU (Trilobite)
Trilobite fossil finished with charcoal powder.
It is a painstaking process in which layers of charcoal powder are piled up and scraped away little by little, as if digging up a real fossil.
Weight | 20.0g |
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Length | 130.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 13023-CPI-13 |
Cigar Portable SPIDER
Nakaya expressed a Spider (Kumo) by “Sumiko” (charcoal powder) technique. The web was written by a thin brush pen and polished up (“togi-dashi”) after sprinking silver powders. The Spider has an appearance of solidity by “Taka-Maki-e” heaping up technology with black and yellow Urushi lacquer and polish up. (“togi-dashi”). Lastly, we added in detail parts of the Spider and polished up as Roiro (gross) finishing. On the grip section, a craftman used gold powder as base. A flower was written in gold, a butterfly was heaped up by Urushi lacquer and sprinkled by gold powder and rubbed with black and white Urushi and polished. (“togi-dashi”).
Cigar Portable SPIDER
Nakaya expressed a Spider (Kumo) by “Sumiko” (charcoal powder) technique. The web was written by a thin brush pen and polished up (“togi-dashi”) after sprinking silver powders. The Spider has an appearance of solidity by “Taka-Maki-e” heaping up technology with black and yellow Urushi lacquer and polish up. (“togi-dashi”). Lastly, we added in detail parts of the Spider and polished up as Roiro (gross) finishing. On the grip section, a craftman used gold powder as base. A flower was written in gold, a butterfly was heaped up by Urushi lacquer and sprinkled by gold powder and rubbed with black and white Urushi and polished. (“togi-dashi”).
Weight | 20.0g |
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Length | 150.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 13002-CP5-13 |
Cigar Long KATANA
Cigar Long KATANA
Weight | 24.0g |
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Length | 166.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 13017-CL5-13 |
Cigar Long SPERM WHALE & GIANT SQUID
The design on this pen represents a fight between a sperm whale and a giant squid unfolding in the deep sea.The whale is finished with Sumiko and the squid with Taka-Makie.This provides a wonderful contrast, which is further accented by a stream of water in Raden.
Cigar Long SPERM WHALE & GIANT SQUID
The design on this pen represents a fight between a sperm whale and a giant squid unfolding in the deep sea.
The whale is finished with Sumiko and the squid with Taka-Makie.
This provides a wonderful contrast, which is further accented by a stream of water in Raden.
Weight | 24.0g |
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Length | 166.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 11092-CL5-10 |
Cigar Long HORRIBLE SKELETON
Some apparition try to escape from between grip section and barrel or barrel itself so they make a crack on the barrel. The skeleton excludes us from the cracking space in the reproachful. One long arm of apparition expand from another crack. Inside of crack , there are fire flame , ghost, and lantern ghost…. But also this pen has also described “Dokkosho”. “Dokkosho” is magic bar which made evil things flee. So you can avoid every bad thing! Some of these apparition is described by a very famous Ukiyoe artist in Japan named Hokusai Katsushika (1760-1849). Maki-e technique ; Background is mainly used Koboku-shiage (ancient Indian ink powders finishing) ,Skelton and arm is Taka-makie (silver powder heaping up mathod). Apparition inside of crack. Mainly used tin round polished powders in Shu(red) color.
Cigar Long HORRIBLE SKELETON
Some apparition try to escape from between grip section and barrel or barrel itself so they make a crack on the barrel. The skeleton excludes us from the cracking space in the reproachful. One long arm of apparition expand from another crack. Inside of crack , there are fire flame , ghost, and lantern ghost…. But also this pen has also described “Dokkosho”. “Dokkosho” is magic bar which made evil things flee. So you can avoid every bad thing! Some of these apparition is described by a very famous Ukiyoe artist in Japan named Hokusai Katsushika (1760-1849). Maki-e technique ; Background is mainly used Koboku-shiage (ancient Indian ink powders finishing) ,Skelton and arm is Taka-makie (silver powder heaping up mathod). Apparition inside of crack. Mainly used tin round polished powders in Shu(red) color.
Weight | 24.0g |
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Length | 166.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 13003-CL5-13 |
Cigar Long JUMPING CARP
The jumping carp, which is said to be a sign of good luck, is finished with charcoal powder.The lively sound of the water surface is expressed with charcoal powder and heaped silver.
Cigar Long JUMPING CARP
The jumping carp, which is said to be a sign of good luck, is finished with charcoal powder.
The lively sound of the water surface is expressed with charcoal powder and heaped silver.
Weight | 24.0g |
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Length | 166.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 13022-CL5-13 |
Cigar Long FLYING DRAGON
The flying dragon is expressed by a special technique using charcoal powder and heaping it up with urushi lacquer.
Cigar Long FLYING DRAGON
The flying dragon is expressed by a special technique using charcoal powder and heaping it up with urushi lacquer.
Weight | 24.0g |
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Length | 166.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 13019-CL5-13 |