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Cigar Piccolo ENJOYING THE MOON CAT　

The design is based on the theme of cats enjoying the moon. The two cats and the footprints on the grip section are drawn with “Yako Maki-e” technique. The moon is drawn with “Tamesukashi” technique. Base color is “Aka-tamenuri”.
“Yako Maki-e” is Nakaya’s original name for the technique that drawing motifs with black lacquer on “tamenuri” base. As the Tamenuri background becomes brighter over time, the black lacquered motifs become more apparent.

Cigar Portable FOREST OF OWL

A wide variety of owl motifs are drawn on the “Byakudannuri” base using “Yako Maki-e” technique so that they are scattered throughout.
It is designed as the image of various owls spending their time in the forest.
The motif of owl wings is drawn with “Yako Maki-e” to the grip section.

“Byakudannuri” is the technique that painting the base in black, applying a transparent lacquer such as “shuai urushi”, and sprinkling silver powder on it, then again painting the entire surface with transparent lacquer and polish to finish. It is brighter than “Tamenuri” and has a beautiful reflection slightly fluctuating by light.
“Yako Maki-e” is Nakaya’s original name for the technique that drawing motifs with black lacquer on “tamenuri” base. As the Tamenuri background becomes brighter over time, the black lacquered motifs become more apparent.

Cigar Portable CAT PARADISE　

This work is painted with a base of silver, followed by ebony lacquering with green new lacquer and many cats in black urushi lacquer.

Cigar Portable AKITSUSHIMA　

The design is expressed a lot of dragonflies flying around using “Yako Maki-e” technique on the “Byakudannuri” base. The design name “Akitsushima” is another name for Japan, and “Akitsu” is the old name for dragonfly.
It is designed based on an image of countless dragonflies flying in a forest at dusk. The flying dragonflies are carefully depicted one by one. Also some dragonflies are drawn on the grip section.
For the base color, amber “Byakudannuri” is used to express the image of dusk.

“Byakudannuri” is the technique that painting the base in black, applying a transparent lacquer such as “shuai urushi”, and sprinkling silver powder on it, then again painting the entire surface with transparent lacquer and polish to finish. It is brighter than “Tamenuri” and has a beautiful reflection slightly fluctuating by light.
“Yako Maki-e” is Nakaya’s original name for the technique that drawing motifs with black lacquer on “tamenuri” base. As the Tamenuri background becomes brighter over time, the black lacquered motifs become more apparent.

Writer Long SKULL　

A skull is put on the top of the cap on the barrel which is heaped up with charcoal powder. A skull is finished with vermeil (gold plated on silver). A clip is made of black urushi lacquer baked on and heaped up with a little gold. The clip is made to look like a backbone and the face of the skull goes around to the back of the cap so that you can’t tell it is a skull when you put it in, but when you take it out, you can tell it is a skull.

Writer Portable GOKO DOKURO (Centipede ＆ Skull)　

People’s deep seated grude changes into the apparition expressed by Sumik- technique. A Centipede creeps out from the cave of trees is projected on this pen. A n allowhead is described as disregarding like the former artwork “Ayakeshi” on the grip section. The story of the Centipede extermination originates in Hyota Tawara (Hidesato Fujiwiara). After raising by rust (called “Sabi-age”” technique)for a background, paint Urushi with Sumiko with silver powders. The Sabiage (rust raising) technque is a suitable technique though effectively goes down also to a crackframing part that exists in the work of the former artwork (East and West encounter) use,and puts out violent. A Centipede is pained in colors after Gin-yuji heaping up technique and grossly polished. For a grip section, we sprinkled gold powders after rust raising technique and Sumiko finishing. Lastly, we set a silver rolling stopper of Skull at the top of the pen.

D-17 Portable BAT

We expressed bats flying around freely in the middle of the night by Yakomakie (gold Makie).
The moon is drawn by Tame-Sukashi technique and clouds are thinly colored black on gold Maki-e.

D-17 Long KARASU TENGU　

The motif is the crow tengu. Like the tengu, there are legends of Karasu-tengu in various parts of Japan, and although there is no established theory, it is said that Karasu-tengu excelled at swordsmanship, had divine powers, and even taught swordsmanship to Ushiwakamaru in Kurama, Kyoto. It is said that he taught Ushiwakamaru swordsmanship in Kurama, Kyoto. This piece is made using the advanced technique of kaki-wari based on charcoal powder finishing.

Cigar Piccolo SANYO-CHU (Trilobite)　

Trilobite fossil finished with charcoal powder.
It is a painstaking process in which layers of charcoal powder are piled up and scraped away little by little, as if digging up a real fossil.

Cigar Portable AUTUMN EVENING

We described “Hagi (bush clover)” by the “Yako Maki-e” technique. This motif has many bowstrings so that the contrast of this motif’s edge of the line has also so many. This picture is taken after 1 month from the production. You can see the color slightly changed to red from the edge. As same as “Tame-sukashi” technique, the background in “shu” (red) becomes brighter as time passes. In case of Yako-nuri technique, the main motif (bush clover) is heaped up by black urushi, so this motif shines clearly with bright Shu color as background.