Writer Portable AUTUMN COLORS
A lot of autumn leaves are drawn with Aka-tamesukashi technique. By making it 2 layers, the result is a deep finish with added depth.For the grip section, finish of dense sprinkling with gold powders “Nashiji” technique is used and some leaves are drawn on it with Yako maki-e technique as an accent.
Writer Portable AUTUMN COLORS
A lot of autumn leaves are drawn with Aka-tamesukashi technique. By making it 2 layers, the result is a deep finish with added depth.
For the grip section, finish of dense sprinkling with gold powders “Nashiji” technique is used and some leaves are drawn on it with Yako maki-e technique as an accent.
| Weight | 22.0g |
|---|---|
| Length | 150.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 16037-WP5-35 |
Writer Portable BAMBOO SERENITY
Bamboo woods motif is expressed with the Aka-tamesukashi technique. To create depth of bamboo woods and express fine bamboo leaves, draw some bamboos with tame-sukashi technique and making another layer of bamboo drawings overlapping the previous layer using Tame-sukashi technique.Some bamboos are drawn on the grip section with Tame-sukashi technique.
Writer Portable BAMBOO SERENITY
Bamboo woods motif is expressed with the Aka-tamesukashi technique. To create depth of bamboo woods and express fine bamboo leaves, draw some bamboos with tame-sukashi technique and making another layer of bamboo drawings overlapping the previous layer using Tame-sukashi technique.
Some bamboos are drawn on the grip section with Tame-sukashi technique.
| Weight | 22.0g |
|---|---|
| Length | 150.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 16007-WP5-35 |
Writer Long Izumi no Kami Kanesada
The design is modeled after the sword mountings (“koshirae”) of Toshizo Hijikata’s beloved sword, “Izumi no Kami Kanesada”.The body was painted using a technique called “Honshu Kanshitsu Kuronurikomi Togidashi”, apply black lacquer to vermilion “ishime” and polish. A phoenix motif is drawn on the barrel with charcoal powder, and a peony motif is drawn on the cap with black lacquer.The both tips of the pen are made to look like a scabbard tip of sword, “kojiri”, and are finished with charcoal powder to make them matte and fringe it with gold.For the grip section, a paper mulberry leaf is drawn with silver on a charcoal powder finish base, and draw the veins of the leaf with black lacquer on it, then applied transparent blackish amber lacquer and polished it.Using various techniques, we have created a piece that resembles the real sword mountings of the sword.
Writer Long Izumi no Kami Kanesada
The design is modeled after the sword mountings (“koshirae”) of Toshizo Hijikata’s beloved sword, “Izumi no Kami Kanesada”.
The body was painted using a technique called “Honshu Kanshitsu Kuronurikomi Togidashi”, apply black lacquer to vermilion “ishime” and polish. A phoenix motif is drawn on the barrel with charcoal powder, and a peony motif is drawn on the cap with black lacquer.
The both tips of the pen are made to look like a scabbard tip of sword, “kojiri”, and are finished with charcoal powder to make them matte and fringe it with gold.
For the grip section, a paper mulberry leaf is drawn with silver on a charcoal powder finish base, and draw the veins of the leaf with black lacquer on it, then applied transparent blackish amber lacquer and polished it.
Using various techniques, we have created a piece that resembles the real sword mountings of the sword.
| Weight | 26.0g |
|---|---|
| Length | 166.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 18018-WL5-13 |
Writer Long PHEASANT CAT
A tabby cat is drawn with Tame-sukashi technique in the body. The paw prints are designed in the cap. Base is Aka-tamenuri.
Writer Long PHEASANT CAT
A tabby cat is drawn with Tame-sukashi technique in the body. The paw prints are designed in the cap. Base is Aka-tamenuri.
| Weight | 26.0g |
|---|---|
| Length | 166.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 16006-WL5-35 |
Writer Long DARK NIGHT OWL
This pen is expressed ‘Owl’ under the layer of “Aka-tamenuri” technique.
Writer Long DARK NIGHT OWL
This pen is expressed ‘Owl’ under the layer of “Aka-tamenuri” technique.
| Weight | 24.0g |
|---|---|
| Length | 166.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 16008-WL5-35 |
Writer Piccolo GRAPES & WINE GLASS
Wine glass was drew by Tamesukashi technique and Yakoh-Makie.We put Raden (sea shell) to some parts of the banch of grapes.
Writer Piccolo GRAPES & WINE GLASS
Wine glass was drew by Tamesukashi technique and Yakoh-Makie.
We put Raden (sea shell) to some parts of the banch of grapes.
| Weight | 22.0g |
|---|---|
| Length | 130.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 17010-WPI-35 |
NeoStandard FOX with 9 TAILS
The nine tailed fox motif is drawn with Shiro-tamesukashi technique. A fox fire also drawn on the grip section with the same technique.In ancient China, the nine tailed fox was a golden furred legendary creature that was considered a good omen that would bring happiness and a good world. But it was thought to be a kind of a supernatural creature, “yoko” that has passed many years, later on.
NeoStandard FOX with 9 TAILS
The nine tailed fox motif is drawn with Shiro-tamesukashi technique. A fox fire also drawn on the grip section with the same technique.
In ancient China, the nine tailed fox was a golden furred legendary creature that was considered a good omen that would bring happiness and a good world. But it was thought to be a kind of a supernatural creature, “yoko” that has passed many years, later on.
| Weight | 26.0g |
|---|---|
| Length | 150.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 16029-WNS-22 |
