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Writer Portable GOLDFISHES

Goldfishes and aquatic plants are drawn with the Maki-e technique. Goldfishes are expressed with polishing technique of Shu kin and silver. And their scales and lines of fins are drawn by gold powder, their eyes are drawn by silver and black.
The bubbles and the aquatic plants are expressed delicately with Maki-e.
By using black as the base, the beauty of Maki-e with gold and silver stands out, and creating a luxurious finish.

Writer Portable AUTUMN COLORS

A lot of autumn leaves are drawn with Aka-tamesukashi technique. By making it 2 layers, the result is a deep finish with added depth.
For the grip section, finish of dense sprinkling with gold powders “Nashiji” technique is used and some leaves are drawn on it with Yako maki-e technique as an accent.

Writer Portable BAMBOO SERENITY

Bamboo woods motif is expressed with the Aka-tamesukashi technique.  To create depth of bamboo woods and express fine bamboo leaves, draw some bamboos with tame-sukashi technique and making another layer of bamboo drawings overlapping the previous layer using Tame-sukashi technique.
Some bamboos are drawn on the grip section with Tame-sukashi technique.

Writer Long SAKURA SAKURA　

Writer Long PHEASANT CAT

A tabby cat is drawn with Tame-sukashi technique in the body. The paw prints are designed in the cap. Base is Aka-tamenuri.

Writer Long DARK NIGHT OWL

This pen is expressed ‘Owl’ under the layer of “Aka-tamenuri” technique.

Writer Piccolo GRAPES & WINE GLASS　

Wine glass was drew by Tamesukashi technique and Yakoh-Makie.
We put Raden (sea shell) to some parts of the banch of grapes.

NeoStandard KINTSUGI

For new barrel, the kintsugi-style maki-e lacquerware gives the appearance of having been repaired using the kintsugi technique, an ancient Japanese restoration technique.

NeoStandard BLUE BIRD

All of the bird’s body is painted with blue over a layer of gold. The wings were created by first drawing the thin lines with gold, and then spreading tiny shells all over.

Writer Portable FORGET-ME-NOT　

Drawing the little blue Forget-me- not flowers on the Kikyo color base express the ephemeral and modest image of the flowers.

The leaves are drawn with tsuke-gaki technique and the center part of the flower is drawn with silver lacquer.