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Writer Portable AUTUMN COLORS

A lot of autumn leaves are drawn with Aka-tamesukashi technique. By making it 2 layers, the result is a deep finish with added depth.
For the grip section, finish of dense sprinkling with gold powders “Nashiji” technique is used and some leaves are drawn on it with Yako maki-e technique as an accent.

Writer Portable BAMBOO SERENITY

Bamboo woods motif is expressed with the Aka-tamesukashi technique.  To create depth of bamboo woods and express fine bamboo leaves, draw some bamboos with tame-sukashi technique and making another layer of bamboo drawings overlapping the previous layer using Tame-sukashi technique.
Some bamboos are drawn on the grip section with Tame-sukashi technique.

Writer Long PHEASANT CAT

A tabby cat is drawn with Tame-sukashi technique in the body. The paw prints are designed in the cap. Base is Aka-tamenuri.

Writer Long DARK NIGHT OWL

This pen is expressed ‘Owl’ under the layer of “Aka-tamenuri” technique.

Writer Piccolo GRAPES & WINE GLASS　

Wine glass was drew by Tamesukashi technique and Yakoh-Makie.
We put Raden (sea shell) to some parts of the banch of grapes.

GOAT SHRINK LEATHER

The fountain pen wrapped with goat shrink leather.
It is designed with a low center of gravity and metals are used to its cover and screws. Custimization is available to change the color of clip, pen nib, and metal parts.

The goat shirink leather is called “chari leather” in Japan, named after Mr. Charles Henninger who was an American tanner who promoted Western-style leather in Japan around the begining of Meiji era.
Crumple goat leather tanned with a plants astringency vertically, horizontally, and diagonally many times, to make deep unevenness on the surface. Because most of the processes needs expertise skill, only skilled craftsmen can manufacture it.
“Chari leather” is very rare and beautiful leather unique to Japan, it was used as a material for bags.

Writer Piccolo TITANIUM

Writer Piccolo model is made with titanium. It is a single thread screw.
It has the inorganic texture and weight that comes from the property of metal.

NeoStandard FOX with 9 TAILS　

The nine tailed fox motif is drawn with Shiro-tamesukashi technique. A fox fire also drawn on the grip section with the same technique.
In ancient China, the nine tailed fox was a golden furred legendary creature that was considered a good omen that would bring happiness and a good world. But it was thought to be a kind of a supernatural creature, “yoko” that has passed many years, later on.