Search results

Cigar Long MOON　

This is a unique design drawing a silver moon boldly on a Kuro-roiro (black) base.
Piling up silver powders many times to create a three-dimensional effect and the uneven texture of the moon’s surface.
In addition, applying black lacquer from the surface of the moon towards the outside and polishing it to make it gradually getting lower express the dark side of the moon.

Cigar Portable FOX & HARVEST MOON　

A fox and the moon are drawn with Tamesukashi technique. To express white fur, if it is just put silver powders on the motif drawn with tamesukashi, only the parts will be appear to stand out. So, after drawing the fox with Tame Sukashi technique, adding transparent amber lacquer to the entire surface of the motif to create a slightly plump relief shape. Then, splinkleing silver powders to the abdomen and tip of tail to express white fur. The pampas grasses are drawn with Yako Maki-e technique to give it depth.
A fox footprint on the grip section with Tamesukashi technique also.

Cigar Portable WHITE ROSES

The standard color, Shu(vermilion) is used for the base and rose motifs are drawn on it with ivory white.
The design was inspired by the ivory combs and hairpins decorated using Shu(vermilion) color during the Edo period. The motifs are drawn with caring the balance between the rose flowers and vines and the Shu(vermilion) in the base color.
Due to drawing the rose motif in traditional colors, it creates a beautiful retro-modern atmosphere.

Cigar Piccolo LOTUS FLOWER　

One motif on the grip section by the highest technique (Taka-Makie).

A motif is a lotus flower on Gold Nashiji gradation and put colors by rubbing into Shu(red) and green.

There is only one part of motif, but elegant and beautiful.

Cigar Piccolo BUTTERFLY　

The butterfly that symbolizes human growth, change, and beauty, are used as a motif.
Pasting thinly pressed gold powders to the butterfly, and drawing the outline and overlay of butterfly wings with color grinding gold.
The gold lines are expressed pasting thinly pressed gold powders and covered the edges with urushi.
The black lacquer base makes the butterfly wings even more beautiful and stand out.

D-17 Portable IROHA MOMIJI　

Writer Long SKULL　

A skull is put on the top of the cap on the barrel which is heaped up with charcoal powder. A skull is finished with vermeil (gold plated on silver). A clip is made of black urushi lacquer baked on and heaped up with a little gold. The clip is made to look like a backbone and the face of the skull goes around to the back of the cap so that you can’t tell it is a skull when you put it in, but when you take it out, you can tell it is a skull.

D-17 Portable ZARYU

Writer Portable GOKO DOKURO (Centipede ＆ Skull)　

People’s deep seated grude changes into the apparition expressed by Sumik- technique. A Centipede creeps out from the cave of trees is projected on this pen. A n allowhead is described as disregarding like the former artwork “Ayakeshi” on the grip section. The story of the Centipede extermination originates in Hyota Tawara (Hidesato Fujiwiara). After raising by rust (called “Sabi-age”” technique)for a background, paint Urushi with Sumiko with silver powders. The Sabiage (rust raising) technque is a suitable technique though effectively goes down also to a crackframing part that exists in the work of the former artwork (East and West encounter) use,and puts out violent. A Centipede is pained in colors after Gin-yuji heaping up technique and grossly polished. For a grip section, we sprinkled gold powders after rust raising technique and Sumiko finishing. Lastly, we set a silver rolling stopper of Skull at the top of the pen.

Writer Portable PLUM BLOSSOMS

The entire barrel with plum blossoms and a plum roll stopper.