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Cigar Piccolo PALMET (Colorful Lines)　

Palmetto pattern is expressed using “Chinkin” technique with color powders.
The colorful flowers are different from monochromatic ones, resulting in a gorgeous and beautiful finish.

The base color can be selected from Kikyo, Shu or KuroRoiro.

Cigar Piccolo HOUSOGE (Colorful Lines)　

“Housoge” pattern is expressed using “Chinkin” technique with color powders.
Whole body including the grip section is decorated with the pattern.
The colorful flowers drawn by color “Chinkin” create a fascinating beauty that is different from single color “Chinkin”.
Since the base color is black, the pattern with colors looks most vivid and beautiful on it.

“Housoge” is an imaginary flower that is believed to bloom in the heaven. Along with palmetto, it is one of the most popular arabesque patterns. The “Housoge” pattern is also used for decolating the strings instruments in the Shosoin as an auspicious pattern.

Cigar Piccolo HOUSOGE (Platinum Lines)　

Housogei is painted in chinki-platinum.
Platinum is a technique in which platinum powder is added after engraving and adhered to the surface.
The entire surface including the cover is decorated with platinum.
Housoge is an imaginary flower said to bloom in the Paradise.
It is one of the most popular arabesque patterns along with palmettes. Housoge is also depicted as a lucky pattern on a stringed instrument in the collection of the Nara Shosoin Repository.

Cigar Piccolo HOUSOGE (Gold Lines)　

“Housoge” pattern is expressed with “Chinkin” technique.
Whole body including the grip section is decorated with the pattern.
The high contrast of the black base color and the gold of “Chinkin” pattern makes the finish really gorgeous.

“Housoge” is an imaginary flower that is believed to bloom in the heaven. Along with palmetto, it is one of the most popular arabesque patterns. The “Housoge” pattern is also used for decolating the strings instruments in the Shosoin as an auspicious pattern.

Cigar Piccolo HOUSOGE (Black Lines)　

Housogei is painted by Chinkoku technique.
Chinkoku is a technique to put charcoal powder instead of gold and adhere it.
The entire surface including the cover is decorated with “Chinkoku”.
Housoge is an imaginary flower said to bloom in the Paradise.
It is one of the most popular arabesque patterns along with palmettes. Housoge is also depicted as a lucky pattern on a stringed instrument in the collection of the Nara Shosoin Repository.

Dorsal Fin 1 ICE FIELD　

This pen is designed with image of an ice field in mind.
To sharpen the groove edges, cut it by carving knife.
Adding silver powders slightly to the groove.
It is left unpolished.

D-17 Long SUZU-NUNOME

Suzu nunome, a large part of the base is dressed with hemp cloth and fixed with urushi lacquer, then the base lacquer is applied to the nunome and black lacquer is applied. Tin powder is sprinkled and fixed with lacquer, and the texture of the cloth is polished and glazed so that the texture of the cloth appears on the axis.
The finish is scratch-resistant while maintaining a beautiful luster.
The cover part is made of “Suzu Ishime”.
The thickness of the cover is about 1mm thicker than the original thickness because it is covered with a cloth.

Cigar Piccolo JIDAI NURI

Cigar Piccolo HONKATAJI Heki-tame

Since the it is covered with cloth, the diameter will be about 1mm bigger than the original one.
To express “antique” or “old” looks, creat some cracks in the lacquer to reveal the cloth underneath, we create a texture that looks like it has been used for many years.
Because it is handmade, the shape and size of the cracks design will not be the same. Basically, there is one crack across the cap and body, two long and short cracks on the body, and one or two cracks on the grip section. 

Cigar Piccolo HONKATAJI-BLACK　

This is inspired by “Negoro-nuri”. It is a “Honkataji” finish that applies lacquer in layers after the process of “Nunokise” which is putting a cloth underneath. Since the it is covered with cloth, the diameter will be about 1mm bigger than the original one.
To express “antique” or “old” looks, creat some cracks in the lacquer to reveal the cloth underneath, we create a texture that looks like it has been used for many years.
Because it is handmade, the shape and size of the cracks design will not be the same. Basically, there is one crack across the cap and body, two long and short cracks on the body, and one or two cracks on the grip section.
It is painted the base with vermilion lacquer and on the top with black lacquer so that the red fabric could be seen from the cracks. It is not fully polished finish, but has a slightly less glossy finish to give it a used feel.