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Cigar Piccolo ENJOYING THE MOON CAT　

The design is based on the theme of cats enjoying the moon. The two cats and the footprints on the grip section are drawn with “Yako Maki-e” technique. The moon is drawn with “Tamesukashi” technique. Base color is “Aka-tamenuri”.
“Yako Maki-e” is Nakaya’s original name for the technique that drawing motifs with black lacquer on “tamenuri” base. As the Tamenuri background becomes brighter over time, the black lacquered motifs become more apparent.

Cigar Portable FOX & HARVEST MOON　

A fox and the moon are drawn with Tamesukashi technique. To express white fur, if it is just put silver powders on the motif drawn with tamesukashi, only the parts will be appear to stand out. So, after drawing the fox with Tame Sukashi technique, adding transparent amber lacquer to the entire surface of the motif to create a slightly plump relief shape. Then, splinkleing silver powders to the abdomen and tip of tail to express white fur. The pampas grasses are drawn with Yako Maki-e technique to give it depth.
A fox footprint on the grip section with Tamesukashi technique also.

Cigar Portable FOREST OF OWL

A wide variety of owl motifs are drawn on the “Byakudannuri” base using “Yako Maki-e” technique so that they are scattered throughout.
It is designed as the image of various owls spending their time in the forest.
The motif of owl wings is drawn with “Yako Maki-e” to the grip section.

“Byakudannuri” is the technique that painting the base in black, applying a transparent lacquer urushi, and sprinkling silver powder on it, then again painting the entire surface with transparent lacquer and polish to finish. It is brighter than “Tamenuri” and has a beautiful reflection slightly fluctuating by light.
“Yako Maki-e” is Nakaya’s original name for the technique that drawing motifs with black lacquer on “tamenuri” base. As the Tamenuri background becomes brighter over time, the black lacquered motifs become more apparent.

Cigar Portable CAT PARADISE　

This work is painted with a base of silver, followed by ebony lacquering with green new lacquer and many cats in black urushi lacquer.

Cigar Portable AKITSUSHIMA　

The design is expressed a lot of dragonflies flying around using “Yako Maki-e” technique on the “Byakudannuri” base. The design name “Akitsushima” is another name for Japan, and “Akitsu” is the old name for dragonfly.
It is designed based on an image of countless dragonflies flying in a forest at dusk. The flying dragonflies are carefully depicted one by one. Also some dragonflies are drawn on the grip section.
For the base color, amber “Byakudannuri” is used to express the image of dusk.

“Byakudannuri” is the technique that painting the base in black, applying a transparent lacquer such as “shuai urushi”, and sprinkling silver powder on it, then again painting the entire surface with transparent lacquer and polish to finish. It is brighter than “Tamenuri” and has a beautiful reflection slightly fluctuating by light.
“Yako Maki-e” is Nakaya’s original name for the technique that drawing motifs with black lacquer on “tamenuri” base. As the Tamenuri background becomes brighter over time, the black lacquered motifs become more apparent.

Writer Portable AUTUMN COLORS

A lot of autumn leaves are drawn with Aka-tamesukashi technique. By making it 2 layers, the result is a deep finish with added depth.
For the grip section, finish of dense sprinkling with gold powders “Nashiji” technique is used and some leaves are drawn on it with Yako maki-e technique as an accent.

Writer Portable BAMBOO SERENITY

Bamboo woods motif is expressed with the Aka-tamesukashi technique.  To create depth of bamboo woods and express fine bamboo leaves, draw some bamboos with tame-sukashi technique and making another layer of bamboo drawings overlapping the previous layer using Tame-sukashi technique.
Some bamboos are drawn on the grip section with Tame-sukashi technique.

Writer Portable WILD STRAWBERRY　

Based on Yakou Maki-e technique, we lay out several seashells (Raden).
Though we used many pieces of big shells in abundance and looks gorgeous, this artwork settled down the background kept the entire settled balance by Tame-nuri background.

Writer Long SKULL　

A skull is put on the top of the cap on the barrel which is heaped up with charcoal powder. A skull is finished with vermeil (gold plated on silver). A clip is made of black urushi lacquer baked on and heaped up with a little gold. The clip is made to look like a backbone and the face of the skull goes around to the back of the cap so that you can’t tell it is a skull when you put it in, but when you take it out, you can tell it is a skull.

Writer Long Izumi no Kami Kanesada　

The design is modeled after the sword mountings (“koshirae”) of Toshizo Hijikata’s beloved sword, “Izumi no Kami Kanesada”.
The body was painted using a technique called “Honshu Kanshitsu Kuronurikomi Togidashi”, apply black lacquer to vermilion “ishime” and polish. A phoenix motif is drawn on the barrel with charcoal powder, and a peony motif is drawn on the cap with black lacquer.
The both tips of the pen are made to look like a scabbard tip of sword, “kojiri”, and are finished with charcoal powder to make them matte and fringe it with gold.
For the grip section, a paper mulberry leaf is drawn with silver on a charcoal powder finish base, and draw the veins of the leaf with black lacquer on it, then applied transparent blackish amber lacquer and polished it.
Using various techniques, we have created a piece that resembles the real sword mountings of the sword.