Search results

Miyabigi Series KOHAKUBOKU

The wood is decorated with Urusih Nashiji technique.  The deep brown hue and fine shimmer like gold dust are distinctive and very elegant. 

The design, in which the grain of the wood is visible, also evokes a sense of natural and traditional beauty.

The name “amber wood” was chosen to express the transparency and warmth of the amber-like hue.

Since the decoration matches the grain of the wood, the expression of the urushi lacquer part differs from one piece to another.

Miyabigi Series EIBOKU

The unique pattern of black and gray blending with the warmth of the wood grain contrasts with the chic and calm design.

The name “Eiboku” expresses the simplicity of the combination of the shadow-like pattern and the grain of the wood.

Since the decoration matches the grain of the wood, the expression of the urushi lacquer part differs from one piece to another.

Cigar Piccolo PALMET（Kuro Colorful Lines)

Palmetto pattern is expressed using “Chinkin” technique with color powders.  

The colorful flowers are different from monochromatic ones, resulting in a gorgeous and beautiful finish.

Cigar Piccolo PALMET（Shu Colorful Lines)

Palmetto pattern is expressed using “Chinkin” technique with color powders.  

The colorful flowers are different from monochromatic ones, resulting in a gorgeous and beautiful finish.

Cigar Piccolo HOUSOGE (Gold Lines)　

“Housoge” pattern is expressed with “Chinkin” technique.
Whole body including the grip section is decorated with the pattern.
The high contrast of the black base color and the gold of “Chinkin” pattern makes the finish really gorgeous.

“Housoge” is an imaginary flower that is believed to bloom in the heaven. Along with palmetto, it is one of the most popular arabesque patterns. The “Housoge” pattern is also used for decolating the strings instruments in the Shosoin as an auspicious pattern.

Dorsal Fin 1 ICE FIELD　

This pen is designed with image of an ice field in mind.
To sharpen the groove edges, cut it by carving knife.
Adding silver powders slightly to the groove.
It is left unpolished.

NeoStandard KINTSUGI

For new barrel, the kintsugi-style maki-e lacquerware gives the appearance of having been repaired using the kintsugi technique, an ancient Japanese restoration technique.

D-17 Portable ShuNurihanashi　

The 17mm barrel is heavy and fits firmly in the hand, giving the fountain pen a sense of stability.

The most traditional color of urushi, “Shu(vermilion)” is used and made it matte finish.
“NuriHanashi (unpolished)” is the technique without polishing after painting. It requires very high level techniques because there are no post processes.

*Only the cigar model is available. Not be manufactured as a ballpoint pen.

D-17 Portable AraiShu

The 17mm barrel is heavy and fits firmly in the hand, giving the fountain pen a sense of stability.

The color “AraiShu” is a different kind and quaint brighter vermilion from “Shu (vermilion)”. “AraiShu” means a light vermilion color because the color becomes lighter after washing the dyed cloth. The color can be said close to orange red. The color range is wide, from a vermilion like reddish color to a salmon pink kind of color are called “AraiShu”.
It is one of the colors that became popular in the late Edo period with the revival of Yamato-e.

*Only the cigar model is available. Not be manufactured as a ballpoint pen.

D-17 Portable KuroRoiro　

The 17mm barrel is heavy and fits firmly in the hand, giving the fountain pen a sense of stability.

The very traditional color of urushi, “Kuro-roiro(Black)” is used and it shines glossy and deeply.
Roiro is one of the color names for black, and means the deep and beautiful wet like black color of a black lacquer. The color name comes from Roiro-nuri, which is one of the lacquer coating techniques.

*Only the cigar model is available. Not be manufactured as a ballpoint pen.