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Cigar Piccolo PALMET (Colorful Lines)　

Palmetto pattern is expressed using “Chinkin” technique with color powders.
The colorful flowers are different from monochromatic ones, resulting in a gorgeous and beautiful finish.

The base color can be selected from Kikyo, Shu or KuroRoiro.

Cigar Piccolo HOUSOGE (Colorful Lines)　

“Housoge” pattern is expressed using “Chinkin” technique with color powders.
Whole body including the grip section is decorated with the pattern.
The colorful flowers drawn by color “Chinkin” create a fascinating beauty that is different from single color “Chinkin”.
Since the base color is black, the pattern with colors looks most vivid and beautiful on it.

“Housoge” is an imaginary flower that is believed to bloom in the heaven. Along with palmetto, it is one of the most popular arabesque patterns. The “Housoge” pattern is also used for decolating the strings instruments in the Shosoin as an auspicious pattern.

Cigar Piccolo HOUSOGE (Platinum Lines)　

Housogei is painted in chinki-platinum.
Platinum is a technique in which platinum powder is added after engraving and adhered to the surface.
The entire surface including the cover is decorated with platinum.
Housoge is an imaginary flower said to bloom in the Paradise.
It is one of the most popular arabesque patterns along with palmettes. Housoge is also depicted as a lucky pattern on a stringed instrument in the collection of the Nara Shosoin Repository.

Cigar Piccolo HOUSOGE (Gold Lines)　

“Housoge” pattern is expressed with “Chinkin” technique.
Whole body including the grip section is decorated with the pattern.
The high contrast of the black base color and the gold of “Chinkin” pattern makes the finish really gorgeous.

“Housoge” is an imaginary flower that is believed to bloom in the heaven. Along with palmetto, it is one of the most popular arabesque patterns. The “Housoge” pattern is also used for decolating the strings instruments in the Shosoin as an auspicious pattern.

Cigar Piccolo HOUSOGE (Black Lines)　

Housogei is painted by Chinkoku technique.
Chinkoku is a technique to put charcoal powder instead of gold and adhere it.
The entire surface including the cover is decorated with “Chinkoku”.
Housoge is an imaginary flower said to bloom in the Paradise.
It is one of the most popular arabesque patterns along with palmettes. Housoge is also depicted as a lucky pattern on a stringed instrument in the collection of the Nara Shosoin Repository.

Dorsal Fin 1 Midori Ishime

This model has a fin on the cap that acts as a roll stopper.
It is designed with the image of a knife.
”Ishime kanshitsu, Green” uses a special blue-green color lacquer for a base color and the same color dry lacquer powder.
The beautiful finish reminds of a turquoise with a color between blue and green.
“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

Writer Long Izumi no Kami Kanesada　

The design is modeled after the sword mountings (“koshirae”) of Toshizo Hijikata’s beloved sword, “Izumi no Kami Kanesada”.
The body was painted using a technique called “Honshu Kanshitsu Kuronurikomi Togidashi”, apply black lacquer to vermilion “ishime” and polish. A phoenix motif is drawn on the barrel with charcoal powder, and a peony motif is drawn on the cap with black lacquer.
The both tips of the pen are made to look like a scabbard tip of sword, “kojiri”, and are finished with charcoal powder to make them matte and fringe it with gold.
For the grip section, a paper mulberry leaf is drawn with silver on a charcoal powder finish base, and draw the veins of the leaf with black lacquer on it, then applied transparent blackish amber lacquer and polished it.
Using various techniques, we have created a piece that resembles the real sword mountings of the sword.

Dorsal Fin 1 Kuro-tame Ishime

This model has a fin on the cap that acts as a roll stopper.
“Ishime kanshitsu, Kuro-tamenuri” uses the shu (vermilion) lacquer for a base color and a black dry lacquer powder.
The finish becomes rough and powerful like a lava, the same as “Ishime kanshitsu, Aka-tamenuri”.
“Ishime kanshitsu, Kuro-tamenuri” has a darker color because it uses the shuai urushi lacquer mixed with black lacquer for the finish.
“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

Dorsal Fin 1 Aka-tame Ishime

This model has a fin on the cap that acts as a roll stopper.
It is designed with the image of a knife.
” Ishime kanshitsu, Aka-tamenuri” uses the shu (vermilion) lacquer for a base color and a black dry lacquer powder, and finishs with a shu-ai lacquer.
It is similar to “Ishime kanshitsu, Kuro-tamenuri” finish but it has more reddish color. So it seems like a hot lava.
“Ishime” is created with the special technique that makes stone like texture on the surface. When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

Dorsal Fin 1 Heki-tame Ishime

This model has a fin on the cap that acts as a roll stopper. It is designed with the image of a knife.
”Ishime kanshitsu, Heki-tamenuri” uses the special blue color lacquer for a base and the same special color dry lacquer powder, and finishs with a shu-ai lacquer.

“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places. Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.