Cigar Piccolo ENJOYING THE MOON CAT
The design is based on the theme of cats enjoying the moon. The two cats and the footprints on the grip section are drawn with “Yako Maki-e” technique. The moon is drawn with “Tamesukashi” technique. Base color is “Aka-tamenuri”.“Yako Maki-e” is Nakaya’s original name for the technique that drawing motifs with black lacquer on “tamenuri” base. As the Tamenuri background becomes brighter over time, the black lacquered motifs become more apparent.
Cigar Piccolo ENJOYING THE MOON CAT
The design is based on the theme of cats enjoying the moon. The two cats and the footprints on the grip section are drawn with “Yako Maki-e” technique. The moon is drawn with “Tamesukashi” technique. Base color is “Aka-tamenuri”.
“Yako Maki-e” is Nakaya’s original name for the technique that drawing motifs with black lacquer on “tamenuri” base. As the Tamenuri background becomes brighter over time, the black lacquered motifs become more apparent.
| Weight | 20.0g |
|---|---|
| Length | 130.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 17008-CPI-35 |
Cigar Portable FOX & HARVEST MOON
A fox and the moon are drawn with Tamesukashi technique. To express white fur, if it is just put silver powders on the motif drawn with tamesukashi, only the parts will be appear to stand out. So, after drawing the fox with Tame Sukashi technique, adding transparent amber lacquer to the entire surface of the motif to create a slightly plump relief shape. Then, splinkleing silver powders to the abdomen and tip of tail to express white fur. The pampas grasses are drawn with Yako Maki-e technique to give it depth.A fox footprint on the grip section with Tamesukashi technique also.
Cigar Portable FOX & HARVEST MOON
A fox and the moon are drawn with Tamesukashi technique. To express white fur, if it is just put silver powders on the motif drawn with tamesukashi, only the parts will be appear to stand out. So, after drawing the fox with Tame Sukashi technique, adding transparent amber lacquer to the entire surface of the motif to create a slightly plump relief shape. Then, splinkleing silver powders to the abdomen and tip of tail to express white fur. The pampas grasses are drawn with Yako Maki-e technique to give it depth.
A fox footprint on the grip section with Tamesukashi technique also.
| Weight | 20.0g |
|---|---|
| Length | 150.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 16030-CP5-20 |
Writer Portable AUTUMN COLORS
A lot of autumn leaves are drawn with Aka-tamesukashi technique. By making it 2 layers, the result is a deep finish with added depth.For the grip section, finish of dense sprinkling with gold powders “Nashiji” technique is used and some leaves are drawn on it with Yako maki-e technique as an accent.
Writer Portable AUTUMN COLORS
A lot of autumn leaves are drawn with Aka-tamesukashi technique. By making it 2 layers, the result is a deep finish with added depth.
For the grip section, finish of dense sprinkling with gold powders “Nashiji” technique is used and some leaves are drawn on it with Yako maki-e technique as an accent.
| Weight | 22.0g |
|---|---|
| Length | 150.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 16037-WP5-35 |
Writer Portable BAMBOO SERENITY
Bamboo woods motif is expressed with the Aka-tamesukashi technique. To create depth of bamboo woods and express fine bamboo leaves, draw some bamboos with tame-sukashi technique and making another layer of bamboo drawings overlapping the previous layer using Tame-sukashi technique.Some bamboos are drawn on the grip section with Tame-sukashi technique.
Writer Portable BAMBOO SERENITY
Bamboo woods motif is expressed with the Aka-tamesukashi technique. To create depth of bamboo woods and express fine bamboo leaves, draw some bamboos with tame-sukashi technique and making another layer of bamboo drawings overlapping the previous layer using Tame-sukashi technique.
Some bamboos are drawn on the grip section with Tame-sukashi technique.
| Weight | 22.0g |
|---|---|
| Length | 150.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 16007-WP5-35 |
Dorsal Fin 1 Midori Ishime
This model has a fin on the cap that acts as a roll stopper.It is designed with the image of a knife.”Ishime kanshitsu, Green” uses a special blue-green color lacquer for a base color and the same color dry lacquer powder.The beautiful finish reminds of a turquoise with a color between blue and green.“Ishime” is created with the special technique that makes stone like texture on the surface.When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.It will be the “cobblestone-like” finish in the garden.
Dorsal Fin 1 Midori Ishime
This model has a fin on the cap that acts as a roll stopper.
It is designed with the image of a knife.
”Ishime kanshitsu, Green” uses a special blue-green color lacquer for a base color and the same color dry lacquer powder.
The beautiful finish reminds of a turquoise with a color between blue and green.
“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.
| Weight | 30.0g |
|---|---|
| Length | 150.0mm |
| Diameter | 17.0mm |
| Material | Ebonite |
| Product No. | 07007-DF1-59 |
Writer Long Izumi no Kami Kanesada
The design is modeled after the sword mountings (“koshirae”) of Toshizo Hijikata’s beloved sword, “Izumi no Kami Kanesada”.The body was painted using a technique called “Honshu Kanshitsu Kuronurikomi Togidashi”, apply black lacquer to vermilion “ishime” and polish. A phoenix motif is drawn on the barrel with charcoal powder, and a peony motif is drawn on the cap with black lacquer.The both tips of the pen are made to look like a scabbard tip of sword, “kojiri”, and are finished with charcoal powder to make them matte and fringe it with gold.For the grip section, a paper mulberry leaf is drawn with silver on a charcoal powder finish base, and draw the veins of the leaf with black lacquer on it, then applied transparent blackish amber lacquer and polished it.Using various techniques, we have created a piece that resembles the real sword mountings of the sword.
Writer Long Izumi no Kami Kanesada
The design is modeled after the sword mountings (“koshirae”) of Toshizo Hijikata’s beloved sword, “Izumi no Kami Kanesada”.
The body was painted using a technique called “Honshu Kanshitsu Kuronurikomi Togidashi”, apply black lacquer to vermilion “ishime” and polish. A phoenix motif is drawn on the barrel with charcoal powder, and a peony motif is drawn on the cap with black lacquer.
The both tips of the pen are made to look like a scabbard tip of sword, “kojiri”, and are finished with charcoal powder to make them matte and fringe it with gold.
For the grip section, a paper mulberry leaf is drawn with silver on a charcoal powder finish base, and draw the veins of the leaf with black lacquer on it, then applied transparent blackish amber lacquer and polished it.
Using various techniques, we have created a piece that resembles the real sword mountings of the sword.
| Weight | 26.0g |
|---|---|
| Length | 166.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 18018-WL5-13 |
Writer Long PHEASANT CAT
A tabby cat is drawn with Tame-sukashi technique in the body. The paw prints are designed in the cap. Base is Aka-tamenuri.
Writer Long PHEASANT CAT
A tabby cat is drawn with Tame-sukashi technique in the body. The paw prints are designed in the cap. Base is Aka-tamenuri.
| Weight | 26.0g |
|---|---|
| Length | 166.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 16006-WL5-35 |
Writer Long DARK NIGHT OWL
This pen is expressed ‘Owl’ under the layer of “Aka-tamenuri” technique.
Writer Long DARK NIGHT OWL
This pen is expressed ‘Owl’ under the layer of “Aka-tamenuri” technique.
| Weight | 24.0g |
|---|---|
| Length | 166.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 16008-WL5-35 |
Dorsal Fin 1 Kuro-tame Ishime
This model has a fin on the cap that acts as a roll stopper.“Ishime kanshitsu, Kuro-tamenuri” uses the shu (vermilion) lacquer for a base color and a black dry lacquer powder.The finish becomes rough and powerful like a lava, the same as “Ishime kanshitsu, Aka-tamenuri”.“Ishime kanshitsu, Kuro-tamenuri” has a darker color because it uses the shuai urushi lacquer mixed with black lacquer for the finish.“Ishime” is created with the special technique that makes stone like texture on the surface.When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.It will be the “cobblestone-like” finish in the garden.
Dorsal Fin 1 Kuro-tame Ishime
This model has a fin on the cap that acts as a roll stopper.
“Ishime kanshitsu, Kuro-tamenuri” uses the shu (vermilion) lacquer for a base color and a black dry lacquer powder.
The finish becomes rough and powerful like a lava, the same as “Ishime kanshitsu, Aka-tamenuri”.
“Ishime kanshitsu, Kuro-tamenuri” has a darker color because it uses the shuai urushi lacquer mixed with black lacquer for the finish.
“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.
| Weight | 30.0g |
|---|---|
| Length | 150.0mm |
| Diameter | 17.0mm |
| Material | Ebonite |
| Product No. | 07008-DF1-14 |
Dorsal Fin 1 Aka-tame Ishime
This model has a fin on the cap that acts as a roll stopper.It is designed with the image of a knife.” Ishime kanshitsu, Aka-tamenuri” uses the shu (vermilion) lacquer for a base color and a black dry lacquer powder, and finishs with a shu-ai lacquer.It is similar to “Ishime kanshitsu, Kuro-tamenuri” finish but it has more reddish color. So it seems like a hot lava.“Ishime” is created with the special technique that makes stone like texture on the surface. When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.It will be the “cobblestone-like” finish in the garden.
Dorsal Fin 1 Aka-tame Ishime
This model has a fin on the cap that acts as a roll stopper.
It is designed with the image of a knife.
” Ishime kanshitsu, Aka-tamenuri” uses the shu (vermilion) lacquer for a base color and a black dry lacquer powder, and finishs with a shu-ai lacquer.
It is similar to “Ishime kanshitsu, Kuro-tamenuri” finish but it has more reddish color. So it seems like a hot lava.
“Ishime” is created with the special technique that makes stone like texture on the surface. When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.
| Weight | 30.0g |
|---|---|
| Length | 150.0mm |
| Diameter | 17.0mm |
| Material | Ebonite |
| Product No. | 07009-DF1-36 |
