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Writer Long SKULL

$ 2,800

A skull is put on the top of the cap on the barrel which is heaped up with charcoal powder. A skull is finished with vermeil (gold plated on silver). A clip is made of black urushi lacquer baked on and heaped up with a little gold. The clip is made to look like a backbone and the face of the skull goes around to the back of the cap so that you can’t tell it is a skull when you put it in, but when you take it out, you can tell it is a skull. 

Writer Long SKULL 

A skull is put on the top of the cap on the barrel which is heaped up with charcoal powder. A skull is finished with vermeil (gold plated on silver). A clip is made of black urushi lacquer baked on and heaped up with a little gold. The clip is made to look like a backbone and the face of the skull goes around to the back of the cap so that you can’t tell it is a skull when you put it in, but when you take it out, you can tell it is a skull.

 

$ 2,800
We are NOT accepting orders for this product now.
Weight26.0g
Length166.0mm
Diameter15.0mm
MaterialEbonite
Product No.13016-WL5-13

Writer Long Izumi no Kami Kanesada

$ 2,700

The design is modeled after the sword mountings (“koshirae”) of Toshizo Hijikata’s beloved sword, “Izumi no Kami Kanesada”.The body was painted using a technique called “Honshu Kanshitsu Kuronurikomi Togidashi”, apply black lacquer to vermilion “ishime” and polish. A phoenix motif is drawn on the barrel with charcoal powder, and a peony motif is drawn on the cap with black lacquer.The both tips of the pen are made to look like a scabbard tip of sword, “kojiri”, and are finished with charcoal powder to make them matte and fringe it with gold.For the grip section, a paper mulberry leaf is drawn with silver on a charcoal powder finish base, and draw the veins of the leaf with black lacquer on it, then applied transparent blackish amber lacquer and polished it.Using various techniques, we have created a piece that resembles the real sword mountings of the sword.

Writer Long Izumi no Kami Kanesada 

The design is modeled after the sword mountings (“koshirae”) of Toshizo Hijikata’s beloved sword, “Izumi no Kami Kanesada”.
The body was painted using a technique called “Honshu Kanshitsu Kuronurikomi Togidashi”, apply black lacquer to vermilion “ishime” and polish. A phoenix motif is drawn on the barrel with charcoal powder, and a peony motif is drawn on the cap with black lacquer.
The both tips of the pen are made to look like a scabbard tip of sword, “kojiri”, and are finished with charcoal powder to make them matte and fringe it with gold.
For the grip section, a paper mulberry leaf is drawn with silver on a charcoal powder finish base, and draw the veins of the leaf with black lacquer on it, then applied transparent blackish amber lacquer and polished it.
Using various techniques, we have created a piece that resembles the real sword mountings of the sword.

$ 2,700
We are NOT accepting orders for this product now.
Weight26.0g
Length166.0mm
Diameter15.0mm
MaterialEbonite
Product No.18018-WL5-13

Writer Portable GOKO DOKURO (Centipede & Skull)

$ 11,000

People’s deep seated grude changes into the apparition expressed by Sumik- technique. A Centipede creeps out from the cave of trees is projected on this pen. A n allowhead is described as disregarding like the former artwork “Ayakeshi” on the grip section. The story of the Centipede extermination originates in Hyota Tawara (Hidesato Fujiwiara). After raising by rust (called “Sabi-age”” technique)for a background, paint Urushi with Sumiko with silver powders. The Sabiage (rust raising) technque is a suitable technique though effectively goes down also to a crackframing part that exists in the work of the former artwork (East and West encounter) use,and puts out violent. A Centipede is pained in colors after Gin-yuji heaping up technique and grossly polished. For a grip section, we sprinkled gold powders after rust raising technique and Sumiko finishing. Lastly, we set a silver rolling stopper of Skull at the top of the pen.

Writer Portable GOKO DOKURO (Centipede & Skull) 

People’s deep seated grude changes into the apparition expressed by Sumik- technique. A Centipede creeps out from the cave of trees is projected on this pen. A n allowhead is described as disregarding like the former artwork “Ayakeshi” on the grip section. The story of the Centipede extermination originates in Hyota Tawara (Hidesato Fujiwiara). After raising by rust (called “Sabi-age”” technique)for a background, paint Urushi with Sumiko with silver powders. The Sabiage (rust raising) technque is a suitable technique though effectively goes down also to a crackframing part that exists in the work of the former artwork (East and West encounter) use,and puts out violent. A Centipede is pained in colors after Gin-yuji heaping up technique and grossly polished. For a grip section, we sprinkled gold powders after rust raising technique and Sumiko finishing. Lastly, we set a silver rolling stopper of Skull at the top of the pen.

$ 11,000
We are NOT accepting orders for this product now.
Weight30.0g
Length150.0mm
Diameter15.0mm
MaterialEbonite
Product No.13010-WP5-13

Dorsal Fin 1 ICE FIELD

$ 4,200

This pen is designed with image of an ice field in mind.To sharpen the groove edges, cut it by carving knife.Adding silver powders slightly to the groove.It is left unpolished.

Dorsal Fin 1 ICE FIELD 

This pen is designed with image of an ice field in mind.
To sharpen the groove edges, cut it by carving knife.
Adding silver powders slightly to the groove.
It is left unpolished.

$ 4,200
We are NOT accepting orders for this product now.
Weight30.0g
Length150.0mm
Diameter17.0mm
MaterialEbonite
Product No.22037-DF1-71

D-17 Long SUZU-NUNOME

$ 1,600

Suzu nunome, a large part of the base is dressed with hemp cloth and fixed with urushi lacquer, then the base lacquer is applied to the nunome and black lacquer is applied. Tin powder is sprinkled and fixed with lacquer, and the texture of the cloth is polished and glazed so that the texture of the cloth appears on the axis.The finish is scratch-resistant while maintaining a beautiful luster.The cover part is made of “Suzu Ishime”.The thickness of the cover is about 1mm thicker than the original thickness because it is covered with a cloth.

D-17 Long SUZU-NUNOME

Suzu nunome, a large part of the base is dressed with hemp cloth and fixed with urushi lacquer, then the base lacquer is applied to the nunome and black lacquer is applied. Tin powder is sprinkled and fixed with lacquer, and the texture of the cloth is polished and glazed so that the texture of the cloth appears on the axis.
The finish is scratch-resistant while maintaining a beautiful luster.
The cover part is made of “Suzu Ishime”.
The thickness of the cover is about 1mm thicker than the original thickness because it is covered with a cloth.

$ 1,600
We are NOT accepting orders for this product now.
Weight33.0g
Length166.0mm
Diameter18.0mm
MaterialEbonite
Product No.22010-CL7-71

D-17 Long KARASU TENGU

$ 17,000

The motif is the crow tengu. Like the tengu, there are legends of Karasu-tengu in various parts of Japan, and although there is no established theory, it is said that Karasu-tengu excelled at swordsmanship, had divine powers, and even taught swordsmanship to Ushiwakamaru in Kurama, Kyoto. It is said that he taught Ushiwakamaru swordsmanship in Kurama, Kyoto. This piece is made using the advanced technique of kaki-wari based on charcoal powder finishing.

D-17 Long KARASU TENGU 

The motif is the crow tengu. Like the tengu, there are legends of Karasu-tengu in various parts of Japan, and although there is no established theory, it is said that Karasu-tengu excelled at swordsmanship, had divine powers, and even taught swordsmanship to Ushiwakamaru in Kurama, Kyoto. It is said that he taught Ushiwakamaru swordsmanship in Kurama, Kyoto. This piece is made using the advanced technique of kaki-wari based on charcoal powder finishing.

$ 17,000
We are NOT accepting orders for this product now.
Weight32.0g
Length166.0mm
Diameter17.0mm
MaterialEbonite
Product No.13020-CL7-13

Cigar Piccolo SANYO-CHU (Trilobite)

$ 3,800

Trilobite fossil finished with charcoal powder. It is a painstaking process in which layers of charcoal powder are piled up and scraped away little by little, as if digging up a real fossil.

Cigar Piccolo SANYO-CHU (Trilobite) 

Trilobite fossil finished with charcoal powder.
It is a painstaking process in which layers of charcoal powder are piled up and scraped away little by little, as if digging up a real fossil.

$ 3,800
We are NOT accepting orders for this product now.
Weight20.0g
Length130.0mm
Diameter15.0mm
MaterialEbonite
Product No.13023-CPI-13

Cigar Piccolo JIDAI NURI

$ 1,100

Cigar Piccolo JIDAI NURI

$ 1,100
We are NOT accepting orders for this product now.
Weight20.0g
Length130.0mm
Diameter15.0mm
MaterialEbonite
Product No.22012-CPI-10

Cigar Piccolo HONKATAJI Heki-tame

$ 1,200

Since the it is covered with cloth, the diameter will be about 1mm bigger than the original one.To express “antique” or “old” looks, creat some cracks in the lacquer to reveal the cloth underneath, we create a texture that looks like it has been used for many years.Because it is handmade, the shape and size of the cracks design will not be the same. Basically, there is one crack across the cap and body, two long and short cracks on the body, and one or two cracks on the grip section. 

Cigar Piccolo HONKATAJI Heki-tame

Since the it is covered with cloth, the diameter will be about 1mm bigger than the original one.
To express “antique” or “old” looks, creat some cracks in the lacquer to reveal the cloth underneath, we create a texture that looks like it has been used for many years.
Because it is handmade, the shape and size of the cracks design will not be the same. Basically, there is one crack across the cap and body, two long and short cracks on the body, and one or two cracks on the grip section. 

$ 1,200
We are NOT accepting orders for this product now.
Weight20.0g
Length130.0mm
Diameter16.0mm
MaterialEbonite
Product No.22008-CPI-20

Cigar Piccolo HONKATAJI-BLACK

$ 1,200

This is inspired by “Negoro-nuri”. It is a “Honkataji” finish that applies lacquer in layers after the process of “Nunokise” which is putting a cloth underneath. Since the it is covered with cloth, the diameter will be about 1mm bigger than the original one.To express “antique” or “old” looks, creat some cracks in the lacquer to reveal the cloth underneath, we create a texture that looks like it has been used for many years.Because it is handmade, the shape and size of the cracks design will not be the same. Basically, there is one crack across the cap and body, two long and short cracks on the body, and one or two cracks on the grip section.It is painted the base with vermilion lacquer and on the top with black lacquer so that the red fabric could be seen from the cracks. It is not fully polished finish, but has a slightly less glossy finish to give it a used feel.

Cigar Piccolo HONKATAJI-BLACK 

This is inspired by “Negoro-nuri”. It is a “Honkataji” finish that applies lacquer in layers after the process of “Nunokise” which is putting a cloth underneath. Since the it is covered with cloth, the diameter will be about 1mm bigger than the original one.
To express “antique” or “old” looks, creat some cracks in the lacquer to reveal the cloth underneath, we create a texture that looks like it has been used for many years.
Because it is handmade, the shape and size of the cracks design will not be the same. Basically, there is one crack across the cap and body, two long and short cracks on the body, and one or two cracks on the grip section.
It is painted the base with vermilion lacquer and on the top with black lacquer so that the red fabric could be seen from the cracks. It is not fully polished finish, but has a slightly less glossy finish to give it a used feel.

$ 1,200
We are NOT accepting orders for this product now.
Weight22.0g
Length130.0mm
Diameter16.0mm
MaterialEbonite
Product No.22023-CPI-10