Cigar Piccolo ENJOYING THE MOON CAT
The design is based on the theme of cats enjoying the moon. The two cats and the footprints on the grip section are drawn with “Yako Maki-e” technique. The moon is drawn with “Tamesukashi” technique. Base color is “Aka-tamenuri”.“Yako Maki-e” is Nakaya’s original name for the technique that drawing motifs with black lacquer on “tamenuri” base. As the Tamenuri background becomes brighter over time, the black lacquered motifs become more apparent.
Cigar Piccolo ENJOYING THE MOON CAT
The design is based on the theme of cats enjoying the moon. The two cats and the footprints on the grip section are drawn with “Yako Maki-e” technique. The moon is drawn with “Tamesukashi” technique. Base color is “Aka-tamenuri”.
“Yako Maki-e” is Nakaya’s original name for the technique that drawing motifs with black lacquer on “tamenuri” base. As the Tamenuri background becomes brighter over time, the black lacquered motifs become more apparent.
Weight | 20.0g |
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Length | 130.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 17008-CPI-35 |
Cigar Portable FOX & HARVEST MOON
A fox and the moon are drawn with Tamesukashi technique. To express white fur, if it is just put silver powders on the motif drawn with tamesukashi, only the parts will be appear to stand out. So, after drawing the fox with Tame Sukashi technique, adding transparent amber lacquer to the entire surface of the motif to create a slightly plump relief shape. Then, splinkleing silver powders to the abdomen and tip of tail to express white fur. The pampas grasses are drawn with Yako Maki-e technique to give it depth.A fox footprint on the grip section with Tamesukashi technique also.
Cigar Portable FOX & HARVEST MOON
A fox and the moon are drawn with Tamesukashi technique. To express white fur, if it is just put silver powders on the motif drawn with tamesukashi, only the parts will be appear to stand out. So, after drawing the fox with Tame Sukashi technique, adding transparent amber lacquer to the entire surface of the motif to create a slightly plump relief shape. Then, splinkleing silver powders to the abdomen and tip of tail to express white fur. The pampas grasses are drawn with Yako Maki-e technique to give it depth.
A fox footprint on the grip section with Tamesukashi technique also.
Weight | 20.0g |
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Length | 150.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 16030-CP5-20 |
Writer Portable AUTUMN COLORS
A lot of autumn leaves are drawn with Aka-tamesukashi technique. By making it 2 layers, the result is a deep finish with added depth.For the grip section, finish of dense sprinkling with gold powders “Nashiji” technique is used and some leaves are drawn on it with Yako maki-e technique as an accent.
Writer Portable AUTUMN COLORS
A lot of autumn leaves are drawn with Aka-tamesukashi technique. By making it 2 layers, the result is a deep finish with added depth.
For the grip section, finish of dense sprinkling with gold powders “Nashiji” technique is used and some leaves are drawn on it with Yako maki-e technique as an accent.
Weight | 22.0g |
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Length | 150.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 16037-WP5-35 |
Writer Portable BAMBOO SERENITY
Bamboo woods motif is expressed with the Aka-tamesukashi technique. To create depth of bamboo woods and express fine bamboo leaves, draw some bamboos with tame-sukashi technique and making another layer of bamboo drawings overlapping the previous layer using Tame-sukashi technique.Some bamboos are drawn on the grip section with Tame-sukashi technique.
Writer Portable BAMBOO SERENITY
Bamboo woods motif is expressed with the Aka-tamesukashi technique. To create depth of bamboo woods and express fine bamboo leaves, draw some bamboos with tame-sukashi technique and making another layer of bamboo drawings overlapping the previous layer using Tame-sukashi technique.
Some bamboos are drawn on the grip section with Tame-sukashi technique.
Weight | 22.0g |
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Length | 150.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 16007-WP5-35 |
Writer Long PHEASANT CAT
A tabby cat is drawn with Tame-sukashi technique in the body. The paw prints are designed in the cap. Base is Aka-tamenuri.
Writer Long PHEASANT CAT
A tabby cat is drawn with Tame-sukashi technique in the body. The paw prints are designed in the cap. Base is Aka-tamenuri.
Weight | 26.0g |
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Length | 166.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 16006-WL5-35 |
Writer Long DARK NIGHT OWL
This pen is expressed ‘Owl’ under the layer of “Aka-tamenuri” technique.
Writer Long DARK NIGHT OWL
This pen is expressed ‘Owl’ under the layer of “Aka-tamenuri” technique.
Weight | 24.0g |
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Length | 166.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 16008-WL5-35 |
Dorsal Fin 1 ICE FIELD
This pen is designed with image of an ice field in mind.To sharpen the groove edges, cut it by carving knife.Adding silver powders slightly to the groove.It is left unpolished.
Dorsal Fin 1 ICE FIELD
This pen is designed with image of an ice field in mind.
To sharpen the groove edges, cut it by carving knife.
Adding silver powders slightly to the groove.
It is left unpolished.
Weight | 30.0g |
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Length | 150.0mm |
Diameter | 17.0mm |
Material | Ebonite |
Product No. | 22037-DF1-71 |
D-17 Long SUZU-NUNOME
Suzu nunome, a large part of the base is dressed with hemp cloth and fixed with urushi lacquer, then the base lacquer is applied to the nunome and black lacquer is applied. Tin powder is sprinkled and fixed with lacquer, and the texture of the cloth is polished and glazed so that the texture of the cloth appears on the axis.The finish is scratch-resistant while maintaining a beautiful luster.The cover part is made of “Suzu Ishime”.The thickness of the cover is about 1mm thicker than the original thickness because it is covered with a cloth.
D-17 Long SUZU-NUNOME
Suzu nunome, a large part of the base is dressed with hemp cloth and fixed with urushi lacquer, then the base lacquer is applied to the nunome and black lacquer is applied. Tin powder is sprinkled and fixed with lacquer, and the texture of the cloth is polished and glazed so that the texture of the cloth appears on the axis.
The finish is scratch-resistant while maintaining a beautiful luster.
The cover part is made of “Suzu Ishime”.
The thickness of the cover is about 1mm thicker than the original thickness because it is covered with a cloth.
Weight | 33.0g |
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Length | 166.0mm |
Diameter | 18.0mm |
Material | Ebonite |
Product No. | 22010-CL7-71 |
Cigar Piccolo JIDAI NURI
Cigar Piccolo JIDAI NURI
Weight | 20.0g |
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Length | 130.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 22012-CPI-10 |
Cigar Piccolo IZUMO NO MGATAMA
Cigar Piccolo IZUMO NO MGATAMA
Weight | 20.0g |
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Length | 130.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 16038-CPI-56 |