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Cigar Long MOON　

This is a unique design drawing a silver moon boldly on a Kuro-roiro (black) base.
Piling up silver powders many times to create a three-dimensional effect and the uneven texture of the moon’s surface.
In addition, applying black lacquer from the surface of the moon towards the outside and polishing it to make it gradually getting lower express the dark side of the moon.

Cigar Portable FOX & HARVEST MOON　

A fox and the moon are drawn with Tamesukashi technique. To express white fur, if it is just put silver powders on the motif drawn with tamesukashi, only the parts will be appear to stand out. So, after drawing the fox with Tame Sukashi technique, adding transparent amber lacquer to the entire surface of the motif to create a slightly plump relief shape. Then, splinkleing silver powders to the abdomen and tip of tail to express white fur. The pampas grasses are drawn with Yako Maki-e technique to give it depth.
A fox footprint on the grip section with Tamesukashi technique also.

Cigar Portable WHITE ROSES

The standard color, Shu(vermilion) is used for the base and rose motifs are drawn on it with ivory white.
The design was inspired by the ivory combs and hairpins decorated using Shu(vermilion) color during the Edo period. The motifs are drawn with caring the balance between the rose flowers and vines and the Shu(vermilion) in the base color.
Due to drawing the rose motif in traditional colors, it creates a beautiful retro-modern atmosphere.

Cigar Piccolo LOTUS FLOWER　

One motif on the grip section by the highest technique (Taka-Makie).

A motif is a lotus flower on Gold Nashiji gradation and put colors by rubbing into Shu(red) and green.

There is only one part of motif, but elegant and beautiful.

Cigar Piccolo BUTTERFLY　

The butterfly that symbolizes human growth, change, and beauty, are used as a motif.
Pasting thinly pressed gold powders to the butterfly, and drawing the outline and overlay of butterfly wings with color grinding gold.
The gold lines are expressed pasting thinly pressed gold powders and covered the edges with urushi.
The black lacquer base makes the butterfly wings even more beautiful and stand out.

Writer Portable GOLDFISHES

Goldfishes and aquatic plants are drawn with the Maki-e technique. Goldfishes are expressed with polishing technique of Shu kin and silver. And their scales and lines of fins are drawn by gold powder, their eyes are drawn by silver and black.
The bubbles and the aquatic plants are expressed delicately with Maki-e.
By using black as the base, the beauty of Maki-e with gold and silver stands out, and creating a luxurious finish.

D-17 Portable IROHA MOMIJI　

Writer Long SKULL　

A skull is put on the top of the cap on the barrel which is heaped up with charcoal powder. A skull is finished with vermeil (gold plated on silver). A clip is made of black urushi lacquer baked on and heaped up with a little gold. The clip is made to look like a backbone and the face of the skull goes around to the back of the cap so that you can’t tell it is a skull when you put it in, but when you take it out, you can tell it is a skull.

Writer Long Izumi no Kami Kanesada　

The design is modeled after the sword mountings (“koshirae”) of Toshizo Hijikata’s beloved sword, “Izumi no Kami Kanesada”.
The body was painted using a technique called “Honshu Kanshitsu Kuronurikomi Togidashi”, apply black lacquer to vermilion “ishime” and polish. A phoenix motif is drawn on the barrel with charcoal powder, and a peony motif is drawn on the cap with black lacquer.
The both tips of the pen are made to look like a scabbard tip of sword, “kojiri”, and are finished with charcoal powder to make them matte and fringe it with gold.
For the grip section, a paper mulberry leaf is drawn with silver on a charcoal powder finish base, and draw the veins of the leaf with black lacquer on it, then applied transparent blackish amber lacquer and polished it.
Using various techniques, we have created a piece that resembles the real sword mountings of the sword.

D-17 Portable ZARYU