Cigar Piccolo ENJOYING THE MOON CAT
The design is based on the theme of cats enjoying the moon. The two cats and the footprints on the grip section are drawn with “Yako Maki-e” technique. The moon is drawn with “Tamesukashi” technique. Base color is “Aka-tamenuri”.“Yako Maki-e” is Nakaya’s original name for the technique that drawing motifs with black lacquer on “tamenuri” base. As the Tamenuri background becomes brighter over time, the black lacquered motifs become more apparent.
Cigar Piccolo ENJOYING THE MOON CAT
The design is based on the theme of cats enjoying the moon. The two cats and the footprints on the grip section are drawn with “Yako Maki-e” technique. The moon is drawn with “Tamesukashi” technique. Base color is “Aka-tamenuri”.
“Yako Maki-e” is Nakaya’s original name for the technique that drawing motifs with black lacquer on “tamenuri” base. As the Tamenuri background becomes brighter over time, the black lacquered motifs become more apparent.
Weight | 20.0g |
---|---|
Length | 130.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 17008-CPI-35 |
Cigar Portable FOX & HARVEST MOON
A fox and the moon are drawn with Tamesukashi technique. To express white fur, if it is just put silver powders on the motif drawn with tamesukashi, only the parts will be appear to stand out. So, after drawing the fox with Tame Sukashi technique, adding transparent amber lacquer to the entire surface of the motif to create a slightly plump relief shape. Then, splinkleing silver powders to the abdomen and tip of tail to express white fur. The pampas grasses are drawn with Yako Maki-e technique to give it depth.A fox footprint on the grip section with Tamesukashi technique also.
Cigar Portable FOX & HARVEST MOON
A fox and the moon are drawn with Tamesukashi technique. To express white fur, if it is just put silver powders on the motif drawn with tamesukashi, only the parts will be appear to stand out. So, after drawing the fox with Tame Sukashi technique, adding transparent amber lacquer to the entire surface of the motif to create a slightly plump relief shape. Then, splinkleing silver powders to the abdomen and tip of tail to express white fur. The pampas grasses are drawn with Yako Maki-e technique to give it depth.
A fox footprint on the grip section with Tamesukashi technique also.
Weight | 20.0g |
---|---|
Length | 150.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 16030-CP5-20 |
Cigar Portable FOREST OF OWL
A wide variety of owl motifs are drawn on the “Byakudannuri” base using “Yako Maki-e” technique so that they are scattered throughout.It is designed as the image of various owls spending their time in the forest.The motif of owl wings is drawn with “Yako Maki-e” to the grip section.“Byakudannuri” is the technique that painting the base in black, applying a transparent lacquer urushi, and sprinkling silver powder on it, then again painting the entire surface with transparent lacquer and polish to finish. It is brighter than “Tamenuri” and has a beautiful reflection slightly fluctuating by light.“Yako Maki-e” is Nakaya’s original name for the technique that drawing motifs with black lacquer on “tamenuri” base. As the Tamenuri background becomes brighter over time, the black lacquered motifs become more apparent.
Cigar Portable FOREST OF OWL
A wide variety of owl motifs are drawn on the “Byakudannuri” base using “Yako Maki-e” technique so that they are scattered throughout.
It is designed as the image of various owls spending their time in the forest.
The motif of owl wings is drawn with “Yako Maki-e” to the grip section.
“Byakudannuri” is the technique that painting the base in black, applying a transparent lacquer urushi, and sprinkling silver powder on it, then again painting the entire surface with transparent lacquer and polish to finish. It is brighter than “Tamenuri” and has a beautiful reflection slightly fluctuating by light.
“Yako Maki-e” is Nakaya’s original name for the technique that drawing motifs with black lacquer on “tamenuri” base. As the Tamenuri background becomes brighter over time, the black lacquered motifs become more apparent.
Weight | 20.0g |
---|---|
Length | 150.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 17014-CP5-25 |
Cigar Portable CAT PARADISE
This work is painted with a base of silver, followed by ebony lacquering with green new lacquer and many cats in black urushi lacquer.
Cigar Portable CAT PARADISE
This work is painted with a base of silver, followed by ebony lacquering with green new lacquer and many cats in black urushi lacquer.
Weight | 20.0g |
---|---|
Length | 150.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 17009-CP5-50 |
Cigar Portable AKITSUSHIMA
The design is expressed a lot of dragonflies flying around using “Yako Maki-e” technique on the “Byakudannuri” base. The design name “Akitsushima” is another name for Japan, and “Akitsu” is the old name for dragonfly.It is designed based on an image of countless dragonflies flying in a forest at dusk. The flying dragonflies are carefully depicted one by one. Also some dragonflies are drawn on the grip section.For the base color, amber “Byakudannuri” is used to express the image of dusk.“Byakudannuri” is the technique that painting the base in black, applying a transparent lacquer such as “shuai urushi”, and sprinkling silver powder on it, then again painting the entire surface with transparent lacquer and polish to finish. It is brighter than “Tamenuri” and has a beautiful reflection slightly fluctuating by light.“Yako Maki-e” is Nakaya’s original name for the technique that drawing motifs with black lacquer on “tamenuri” base. As the Tamenuri background becomes brighter over time, the black lacquered motifs become more apparent.
Cigar Portable AKITSUSHIMA
The design is expressed a lot of dragonflies flying around using “Yako Maki-e” technique on the “Byakudannuri” base. The design name “Akitsushima” is another name for Japan, and “Akitsu” is the old name for dragonfly.
It is designed based on an image of countless dragonflies flying in a forest at dusk. The flying dragonflies are carefully depicted one by one. Also some dragonflies are drawn on the grip section.
For the base color, amber “Byakudannuri” is used to express the image of dusk.
“Byakudannuri” is the technique that painting the base in black, applying a transparent lacquer such as “shuai urushi”, and sprinkling silver powder on it, then again painting the entire surface with transparent lacquer and polish to finish. It is brighter than “Tamenuri” and has a beautiful reflection slightly fluctuating by light.
“Yako Maki-e” is Nakaya’s original name for the technique that drawing motifs with black lacquer on “tamenuri” base. As the Tamenuri background becomes brighter over time, the black lacquered motifs become more apparent.
Weight | 20.0g |
---|---|
Length | 150.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 17003-CP5-25 |
Writer Portable AUTUMN COLORS
A lot of autumn leaves are drawn with Aka-tamesukashi technique. By making it 2 layers, the result is a deep finish with added depth.For the grip section, finish of dense sprinkling with gold powders “Nashiji” technique is used and some leaves are drawn on it with Yako maki-e technique as an accent.
Writer Portable AUTUMN COLORS
A lot of autumn leaves are drawn with Aka-tamesukashi technique. By making it 2 layers, the result is a deep finish with added depth.
For the grip section, finish of dense sprinkling with gold powders “Nashiji” technique is used and some leaves are drawn on it with Yako maki-e technique as an accent.
Weight | 22.0g |
---|---|
Length | 150.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 16037-WP5-35 |
Writer Portable BAMBOO SERENITY
Bamboo woods motif is expressed with the Aka-tamesukashi technique. To create depth of bamboo woods and express fine bamboo leaves, draw some bamboos with tame-sukashi technique and making another layer of bamboo drawings overlapping the previous layer using Tame-sukashi technique.Some bamboos are drawn on the grip section with Tame-sukashi technique.
Writer Portable BAMBOO SERENITY
Bamboo woods motif is expressed with the Aka-tamesukashi technique. To create depth of bamboo woods and express fine bamboo leaves, draw some bamboos with tame-sukashi technique and making another layer of bamboo drawings overlapping the previous layer using Tame-sukashi technique.
Some bamboos are drawn on the grip section with Tame-sukashi technique.
Weight | 22.0g |
---|---|
Length | 150.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 16007-WP5-35 |
Writer Portable WILD STRAWBERRY
Based on Yakou Maki-e technique, we lay out several seashells (Raden).Though we used many pieces of big shells in abundance and looks gorgeous, this artwork settled down the background kept the entire settled balance by Tame-nuri background.
Writer Portable WILD STRAWBERRY
Based on Yakou Maki-e technique, we lay out several seashells (Raden).
Though we used many pieces of big shells in abundance and looks gorgeous, this artwork settled down the background kept the entire settled balance by Tame-nuri background.
Weight | 22.0g |
---|---|
Length | 150.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 17002-WP5-35 |
Writer Long PHEASANT CAT
A tabby cat is drawn with Tame-sukashi technique in the body. The paw prints are designed in the cap. Base is Aka-tamenuri.
Writer Long PHEASANT CAT
A tabby cat is drawn with Tame-sukashi technique in the body. The paw prints are designed in the cap. Base is Aka-tamenuri.
Weight | 26.0g |
---|---|
Length | 166.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 16006-WL5-35 |
Writer Long DARK NIGHT OWL
This pen is expressed ‘Owl’ under the layer of “Aka-tamenuri” technique.
Writer Long DARK NIGHT OWL
This pen is expressed ‘Owl’ under the layer of “Aka-tamenuri” technique.
Weight | 24.0g |
---|---|
Length | 166.0mm |
Diameter | 15.0mm |
Material | Ebonite |
Product No. | 16008-WL5-35 |