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D-17 Long BLUE ROSE

A rose is drawn on the cap as a focal point with shells. The body has a spiral line. All are carefully drawn using the Raden technique.
The base is Heki-tamenuri, giving it a softer impression than the black base.

“Raden” is a decorating technique that the pearl colored inner part of a seashell is cut into various thin shapes and attached to the lacquered surface.

D-17 Long MUKUGE

The 17mm barrel is heavy and fits firmly in the hand, giving the fountain pen a sense of stability.

A rose of Sharon (Mukuge) is drawn on the cap as a focal point with shells. In addition to using the shells as is, shadings are added to the petals with vermilion lacquer to create a soft and cute look. The body has a spiral line. All are carefully drawn using the Raden technique.
The base is Heki-tamenuri, giving it a softer impression than the black base.
A rose of Sharon (Mukuge) belongs to the same family Malvaceae as hibiscus. It is said that the flower has come to Japan during the Heian period, and has been used as arrangement flower for a tea ceremony. The ephemeral nature of Mukuge which blooms at dawn and wilts in the evening is expressed in the historical fact as “Kinka, a day’s glory (dream).” Along with the winter camellia, this flower has been loved by tea masters.

Cigar Piccolo AMANOGAWA

The design inspired by the “Milky Way” shining in the night sky is expressed with Raden.
A lots of fine shellfish (Mijin shellfish) of different sizes are used and put them in a spiral pattern with a gradation.
By making the base in black (KuroRoiro), the shine of Raden stands out, creating a finish that looks just like the Milky Way shining in the night sky.

Cigar Portable MANTEN

A starry sky is expressed by scattering small shellfish all over the black (KuroRoiro) base. Then the Milky Way more shining brightly is drawn in a spiral pattern in the starry sky. Also shellfishes are spread all over the grip section to create the feeling of a starry sky.
It has a more gorgeous and glittering finish than “Milky Way”.

Writer Portable WILD STRAWBERRY　

Based on Yakou Maki-e technique, we lay out several seashells (Raden).
Though we used many pieces of big shells in abundance and looks gorgeous, this artwork settled down the background kept the entire settled balance by Tame-nuri background.

Miyabigi Series KAGOAMIME

Based on the “Rattan Basket” fountain pen of Platinum Fountain Pens CO.,LTD. (produced around year 1924), it is designed in rectilinear form that was mainstream at the time covering with a bamboo basket knitted hexagonally using thinly shaved bamboo. The size is almost the same as Piccolo size.
The end of the cap and barrel, the grip section, and the basket are painted with black lacquer. The parts under the baske are finished with washed vermilion (Arai-shu) lacquer.

*”Hexagonal knitting” is the most popular bamboo knitting which the mesh looks like hexagon.

Miyabigi Series PHERNAMBUCO　

It is the same rectilinear form as “Bamboo Basket Mesh” and set the coveres made from Pernambuco. The size is almost the same as Piccolo but 1~2mm thicker because of the covers.
The end of the cap and barrel, the grip section are painted with black lacquer.
Because Pernambuco is a natural material, each wood grain and color will vary each other. To take advantage of the wood texture, It is only polished. Please be careful not to get ink on it because it is not coated. Also, since Pernambuco was originally used as a raw material for dyes, the color may transfer due to sweat or etc.

Pernambuco is a rare material native to Brazil and is used for the bows of stringed instruments. Due to excessive logging in Brazil, it is now protected by CITES and is difficult to obtain.

Miyabigi Series EIBOKU

The unique pattern of black and gray blending with the warmth of the wood grain contrasts with the chic and calm design.

The name “Eiboku” expresses the simplicity of the combination of the shadow-like pattern and the grain of the wood.

Since the decoration matches the grain of the wood, the expression of the urushi lacquer part differs from one piece to another.

Miyabigi Series KOHAKUBOKU

The wood is decorated with Urusih Nashiji technique.  The deep brown hue and fine shimmer like gold dust are distinctive and very elegant. 

The design, in which the grain of the wood is visible, also evokes a sense of natural and traditional beauty.

The name “amber wood” was chosen to express the transparency and warmth of the amber-like hue.

Since the decoration matches the grain of the wood, the expression of the urushi lacquer part differs from one piece to another.

Miyabigi Series SEIBOKUYA

“Seibokuya” expresses the warmth of wood with its grain and the twinkling of the starry sky in Raden.

Since the decoration matches the grain of the wood, the expression of the urushi lacquer part differs from one piece to another.