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Writer Long SAKURA SAKURA　

Writer Long PHEASANT CAT

A tabby cat is drawn with Tame-sukashi technique in the body. The paw prints are designed in the cap. Base is Aka-tamenuri.

Writer Long DARK NIGHT OWL

This pen is expressed ‘Owl’ under the layer of “Aka-tamenuri” technique.

Writer Portable PLUM BLOSSOMS

The entire barrel with plum blossoms and a plum roll stopper.

Miyabigi Series KAGOAMIME

Based on the “Rattan Basket” fountain pen of Platinum Fountain Pens CO.,LTD. (produced around year 1924), it is designed in rectilinear form that was mainstream at the time covering with a bamboo basket knitted hexagonally using thinly shaved bamboo. The size is almost the same as Piccolo size.
The end of the cap and barrel, the grip section, and the basket are painted with black lacquer. The parts under the baske are finished with washed vermilion (Arai-shu) lacquer.

*”Hexagonal knitting” is the most popular bamboo knitting which the mesh looks like hexagon.

Miyabigi Series EIBOKU

The unique pattern of black and gray blending with the warmth of the wood grain contrasts with the chic and calm design.

The name “Eiboku” expresses the simplicity of the combination of the shadow-like pattern and the grain of the wood.

Since the decoration matches the grain of the wood, the expression of the urushi lacquer part differs from one piece to another.

Miyabigi Series KOHAKUBOKU

The wood is decorated with Urusih Nashiji technique.  The deep brown hue and fine shimmer like gold dust are distinctive and very elegant. 

The design, in which the grain of the wood is visible, also evokes a sense of natural and traditional beauty.

The name “amber wood” was chosen to express the transparency and warmth of the amber-like hue.

Since the decoration matches the grain of the wood, the expression of the urushi lacquer part differs from one piece to another.

Miyabigi Series SEIBOKUYA

“Seibokuya” expresses the warmth of wood with its grain and the twinkling of the starry sky in Raden.

Since the decoration matches the grain of the wood, the expression of the urushi lacquer part differs from one piece to another.

Cigar Piccolo POLYNESIAN SKY　

Cigar Piccolo ONE-EYED JAPANESE DEMON

The pen has been finished with Shu-roiro, and the part around the crack was heaped up with the powder made of dry urushi.

Again, we used Ginyuji technique (method of heaping the picture up with silver powder) for Dokkosho, a talisman used to keep evil spirits away, on the backside of the pen. The monster itself was depicted in Taka maki-e technique. All the details, including the direction of the gaze coming from the crack were carefully discussed with the client.