Dorsal Fin 1 Kikyo Ishime
This model has a fin on the cap that acts as a roll stopper.It is designed with the image of a knife.“Ishime kanshitsu, Kikyo” uses the blue, we called “Kikyo” lacquer for a base color and a blue dry lacquer powder.The brilliant finish resembles lapis lazuli which has a deep blue color that seems to draw you in.“Ishime” is created with the special technique that makes stone like texture on the surface.When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.It will be the “cobblestone-like” finish in the garden.
Dorsal Fin 1 Kikyo Ishime
This model has a fin on the cap that acts as a roll stopper.
It is designed with the image of a knife.
“Ishime kanshitsu, Kikyo” uses the blue, we called “Kikyo” lacquer for a base color and a blue dry lacquer powder.
The brilliant finish resembles lapis lazuli which has a deep blue color that seems to draw you in.
“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.
| Weight | 30.0g |
|---|---|
| Length | 150.0mm |
| Diameter | 17.0mm |
| Material | Ebonite |
| Product No. | 07015-DF1-60 |
Dorsal Fin 1 Suzu Ishime (Silver)
This model has a fin on the cap that acts as a roll stopper. It is designed with the image of a knife.It is “Suzu Ishime” which uses “roasted tin powder” instead of Kanshitsu (dry lacquer) powder. Using the roasted tin powder made it possible to creates the material finish.This Suzuishime silver uses the black lacquer for the base, and the finish has the hard brilliance like a fumigated silver and hematite.“Ishime” is created with the special technique that makes stone like texture on the surface.When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.It will be the “cobblestone-like” finish in the garden.
Dorsal Fin 1 Suzu Ishime (Silver)
This model has a fin on the cap that acts as a roll stopper. It is designed with the image of a knife.
It is “Suzu Ishime” which uses “roasted tin powder” instead of Kanshitsu (dry lacquer) powder. Using the roasted tin powder made it possible to creates the material finish.
This Suzuishime silver uses the black lacquer for the base, and the finish has the hard brilliance like a fumigated silver and hematite.
“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.
| Weight | 30.0g |
|---|---|
| Length | 150.0mm |
| Diameter | 17.0mm |
| Material | Ebonite |
| Product No. | 07011-DF1-73 |
Dorsal Fin 1 Suzu Isime (Midori)
This model has a fin on the cap that acts as a roll stopper. It is designed with the image of a knife.It is “Suzu Ishime” which uses “roasted tin powder” instead of Kanshitsu (dry lacquer) powder.Using the roasted tin powder made it possible to creates the material finish.This Suzuishime green uses the special blue-green color lacquer for the base, and the finish becomes soft and bright.“Ishime” is created with the special technique that makes stone like texture on the surface.When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.It will be the “cobblestone-like” finish in the garden.
Dorsal Fin 1 Suzu Isime (Midori)
This model has a fin on the cap that acts as a roll stopper. It is designed with the image of a knife.
It is “Suzu Ishime” which uses “roasted tin powder” instead of Kanshitsu (dry lacquer) powder.
Using the roasted tin powder made it possible to creates the material finish.
This Suzuishime green uses the special blue-green color lacquer for the base, and the finish becomes soft and bright.
“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.
| Weight | 30.0g |
|---|---|
| Length | 150.0mm |
| Diameter | 17.0mm |
| Material | Ebonite |
| Product No. | 07014-DF1-76 |
Dorsal Fin 1 Suzu Ishime (Kikyo)
This model has a fin on the cap that acts as a roll stopper.It is designed with the image of a knife.It is “Suzu Ishime” which uses “roasted tin powder” instead of Kanshitsu (dry lacquer) powder. Using the roasted tin powder made it possible to creates the material finish.This Suzuishime blue uses the blue lacquer for the base, and the finish will be lighter than the black base one, and looks the silver the brighter.“Ishime” is created with the special technique that makes stone like texture on the surface.When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.It will be the “cobblestone-like” finish in the garden.
Dorsal Fin 1 Suzu Ishime (Kikyo)
This model has a fin on the cap that acts as a roll stopper.
It is designed with the image of a knife.
It is “Suzu Ishime” which uses “roasted tin powder” instead of Kanshitsu (dry lacquer) powder. Using the roasted tin powder made it possible to creates the material finish.
This Suzuishime blue uses the blue lacquer for the base, and the finish will be lighter than the black base one, and looks the silver the brighter.
“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.
| Weight | 30.0g |
|---|---|
| Length | 150.0mm |
| Diameter | 17.0mm |
| Material | Ebonite |
| Product No. | 07012-DF1-74 |
Dorsal Fin 1 Suzu Ishime (Shu)
This model has a fin on the cap that acts as a roll stopper. It is designed with the image of a knife.It is “Suzu Ishime” which uses “roasted tin powder” instead of Kanshitsu (dry lacquer) powder.Using the roasted tin powder made it possible to creates the material finish.This Suzuishime red uses the Shu(vermilion) lacquer for the base, and the finish will be bright to add a touch of gorgeousness to silver.“Ishime” is created with the special technique that makes stone like texture on the surface.When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places. Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.It will be the “cobblestone-like” finish in the garden.
Dorsal Fin 1 Suzu Ishime (Shu)
This model has a fin on the cap that acts as a roll stopper. It is designed with the image of a knife.
It is “Suzu Ishime” which uses “roasted tin powder” instead of Kanshitsu (dry lacquer) powder.
Using the roasted tin powder made it possible to creates the material finish.
This Suzuishime red uses the Shu(vermilion) lacquer for the base, and the finish will be bright to add a touch of gorgeousness to silver.
“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places. Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.
| Weight | 30.0g |
|---|---|
| Length | 150.0mm |
| Diameter | 17.0mm |
| Material | Ebonite |
| Product No. | 07013-DF1-75 |
Dorsal Fin 1 ICE FIELD
This pen is designed with image of an ice field in mind.To sharpen the groove edges, cut it by carving knife.Adding silver powders slightly to the groove.It is left unpolished.
Dorsal Fin 1 ICE FIELD
This pen is designed with image of an ice field in mind.
To sharpen the groove edges, cut it by carving knife.
Adding silver powders slightly to the groove.
It is left unpolished.
| Weight | 30.0g |
|---|---|
| Length | 150.0mm |
| Diameter | 17.0mm |
| Material | Ebonite |
| Product No. | 22037-DF1-71 |
D-17 Portable BAT
We expressed bats flying around freely in the middle of the night by Yakomakie (gold Makie).The moon is drawn by Tame-Sukashi technique and clouds are thinly colored black on gold Maki-e.
D-17 Portable BAT
We expressed bats flying around freely in the middle of the night by Yakomakie (gold Makie).
The moon is drawn by Tame-Sukashi technique and clouds are thinly colored black on gold Maki-e.
| Weight | 26.0g |
|---|---|
| Length | 150.0mm |
| Diameter | 17.0mm |
| Material | Ebonite |
| Product No. | 17005-CP7-11 |
D-17 Portable LONG WISTERIA
This piece features an illustration of “fuji flower (wisteria)”.The wisteria is drawn with alternating flowers, buds and leaves, using the iro-togidashi technique, providing a glamorous look.
D-17 Portable LONG WISTERIA
This piece features an illustration of “fuji flower (wisteria)”.
The wisteria is drawn with alternating flowers, buds and leaves, using the iro-togidashi technique, providing a glamorous look.
| Weight | 26.0g |
|---|---|
| Length | 150.0mm |
| Diameter | 15.0mm |
| Material | Ebonite |
| Product No. | 11112-CP7-80 |
D-17 Long WHALE & WAVE
The whale is drawn with charcoal powder and finished with a black urushi lacquer polished. The eyes are made of tiny cut gold, and the whiskers are drawn one by one and sprinkled gold powder.The design is such that all the rough waves around the whale merge into one at the tip of the pen barrel. They are drawn with silver powder, and adding height differences to each wave, creates the looks of waves colliding violently. In addition, the waves lines of are drawn one by one with very thin golden lines. The waves are also drawn on the grip section.The whale is boldly placed in the detailed waves on a gorgeous background applied urushi lacquer using gold powder, creating a lively and gorgeous finish.
D-17 Long WHALE & WAVE
The whale is drawn with charcoal powder and finished with a black urushi lacquer polished. The eyes are made of tiny cut gold, and the whiskers are drawn one by one and sprinkled gold powder.
The design is such that all the rough waves around the whale merge into one at the tip of the pen barrel. They are drawn with silver powder, and adding height differences to each wave, creates the looks of waves colliding violently. In addition, the waves lines of are drawn one by one with very thin golden lines. The waves are also drawn on the grip section.
The whale is boldly placed in the detailed waves on a gorgeous background applied urushi lacquer using gold powder, creating a lively and gorgeous finish.
| Weight | 32.0g |
|---|---|
| Length | 166.0mm |
| Diameter | 17.0mm |
| Material | Ebonite |
| Product No. | 11005-CL7-32 |
D-17 Long SEIOHBO
The motif is the Queen Mother of the West (Seiohbo), a goddess who grants immortality. The background is blurred by sprinkling gold powder and kinhirame (flattened gold powder). Clouds and other objects in the background are drawn by polishing Maki-e technique. The Queen Mother of the West is drawn using both Gin-yuji piling up technique and Kaki-wari technique. The kaki-wari technique is a technique to express lines by drawing around the line, so the lines look hollow. It is able to express the three-dimensional feelings and softness on the bulges of the cheeks and the folds of the clothes by kaki-wari technique. To draw very delicately in the details of such as the fine patterns on the clothes and use many soft curves make the result a luxurious and delicate finish.
D-17 Long SEIOHBO
The motif is the Queen Mother of the West (Seiohbo), a goddess who grants immortality.
The background is blurred by sprinkling gold powder and kinhirame (flattened gold powder). Clouds and other objects in the background are drawn by polishing Maki-e technique. The Queen Mother of the West is drawn using both Gin-yuji piling up technique and Kaki-wari technique. The kaki-wari technique is a technique to express lines by drawing around the line, so the lines look hollow. It is able to express the three-dimensional feelings and softness on the bulges of the cheeks and the folds of the clothes by kaki-wari technique.
To draw very delicately in the details of such as the fine patterns on the clothes and use many soft curves make the result a luxurious and delicate finish.
| Weight | 32.0g |
|---|---|
| Length | 166.0mm |
| Diameter | 17.0mm |
| Material | Ebonite |
| Product No. | 11024-CL7-70 |
