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Miyabigi Series EIBOKU

The unique pattern of black and gray blending with the warmth of the wood grain contrasts with the chic and calm design.

The name “Eiboku” expresses the simplicity of the combination of the shadow-like pattern and the grain of the wood.

Since the decoration matches the grain of the wood, the expression of the urushi lacquer part differs from one piece to another.

Miyabigi Series KOHAKUBOKU

The wood is decorated with Urusih Nashiji technique.  The deep brown hue and fine shimmer like gold dust are distinctive and very elegant. 

The design, in which the grain of the wood is visible, also evokes a sense of natural and traditional beauty.

The name “amber wood” was chosen to express the transparency and warmth of the amber-like hue.

Since the decoration matches the grain of the wood, the expression of the urushi lacquer part differs from one piece to another.

Miyabigi Series SEIBOKUYA

“Seibokuya” expresses the warmth of wood with its grain and the twinkling of the starry sky in Raden.

Since the decoration matches the grain of the wood, the expression of the urushi lacquer part differs from one piece to another.

Dorsal Fin 1 ICE FIELD　

This pen is designed with image of an ice field in mind.
To sharpen the groove edges, cut it by carving knife.
Adding silver powders slightly to the groove.
It is left unpolished.

D-17 Portable BAT

We expressed bats flying around freely in the middle of the night by Yakomakie (gold Makie).
The moon is drawn by Tame-Sukashi technique and clouds are thinly colored black on gold Maki-e.

D-17 Portable LONG WISTERIA

This piece features an illustration of “fuji flower (wisteria)”.
The wisteria is drawn with alternating flowers, buds and leaves, using the iro-togidashi technique, providing a glamorous look.

D-17 Long WHALE & WAVE 　

The whale is drawn with charcoal powder and finished with a black urushi lacquer polished. The eyes are made of tiny cut gold, and the whiskers are drawn one by one and sprinkled gold powder.
The design is such that all the rough waves around the whale merge into one at the tip of the pen barrel. They are drawn with silver powder, and adding height differences to each wave, creates the looks of waves colliding violently. In addition, the waves lines of are drawn one by one with very thin golden lines. The waves are also drawn on the grip section.
The whale is boldly placed in the detailed waves on a gorgeous background applied urushi lacquer using gold powder, creating a lively and gorgeous finish.

D-17 Long SEIOHBO　

The motif is the Queen Mother of the West (Seiohbo), a goddess who grants immortality.
The background is blurred by sprinkling gold powder and kinhirame (flattened gold powder). Clouds and other objects in the background are drawn by polishing Maki-e technique. The Queen Mother of the West is drawn using both Gin-yuji piling up technique and Kaki-wari technique. The kaki-wari technique is a technique to express lines by drawing around the line, so the lines look hollow. It is able to express the three-dimensional feelings and softness on the bulges of the cheeks and the folds of the clothes by kaki-wari technique.
To draw very delicately in the details of such as the fine patterns on the clothes and use many soft curves make the result a luxurious and delicate finish.

D-17 Long FUJIN & RAIJIN

D-17 Long SUZU-NUNOME

Suzu nunome, a large part of the base is dressed with hemp cloth and fixed with urushi lacquer, then the base lacquer is applied to the nunome and black lacquer is applied. Tin powder is sprinkled and fixed with lacquer, and the texture of the cloth is polished and glazed so that the texture of the cloth appears on the axis.
The finish is scratch-resistant while maintaining a beautiful luster.
The cover part is made of “Suzu Ishime”.
The thickness of the cover is about 1mm thicker than the original thickness because it is covered with a cloth.