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Writer Piccolo Heki-tame

The roof like design that is slightly pointed tip.
The compact fountain pen with excellent portability for memo pads, notebooks, and etc.

The base color is the “Heki-iro” which was made after many trials and errors.
Heki-iro is a middle color between blue and green.
And “Tamenuri” has the characteristics of translucent amber color like being sucked in, so you can clearly see how the lacquer has accumulated.
The combination of shuai urushi lacquer and heki-iro base color create mysterious and beautiful greenish amber finish.

Writer Piccolo Toki-tame

The roof like design that is slightly pointed tip.
The compact fountain pen with excellent portability for memo pads, notebooks, and etc.

The combination of the pinkish base color inspired by the Japanese traditional color “toki-iro” and the upper lacquer, shuai urushi create very soft an bright finish.
“Tamenuri” has the characteristics of translucent amber color like being sucked in, so you can clearly see how the lacquer has accumulated.

Writer Piccolo BlackHairline

The roof like design that is slightly pointed tip, different from the portable size and long size design.
The compact fountain pen with excellent portability for memo pads, notebooks, and etc.

Due to the traditional black color lacquer is used for the base color and draw a very thin line to the base each by each very carefully, the hairline like pattern is created.
And the unpolished finish makes vintage and quaint like Sumiko finish.

Writer Piccolo Shobu

The roof like design that is slightly pointed tip.
The compact fountain pen with excellent portability for memo pads, notebooks, and etc.

Base color is the “Purple” which was made after many trials and errors.
It was quite difficult to create the satisfying purple because the blue-kind colors development is really hard.
The beautiful perple color “Shobu” that was named after the irises, creates shining glossy and deep finish.

Writer Piccolo Midori

The roof like design that is slightly pointed tip.
The compact fountain pen with excellent portability for memo pads, notebooks, and etc.

Base color is the “Midori” inspired by the color of evergreen leaves.
It was difficult to create the beautiful green because the blue-kind color development is difficult.
The green color creates glossy and brilliant finish.

Writer Piccolo Kikyo

The roof like design that is slightly pointed tip.
The compact fountain pen with excellent portability for memo pads, notebooks, and etc.

Base color is the “Blue” which was made after many trials and errors.
It was really difficult to create the satisfying blue because there is quite few has blue color in nature.
The wonderful blue color “Kikyo” that was named after the bellflowers, creates shining glossy and brilliant finish.

Writer Piccilo AraiShu

The roof like design that is slightly pointed tip.
The compact fountain pen with excellent portability for memo pads, notebooks, and etc.

The color “AraiShu” is a different kind and quaint brighter vermilion from “Shu (vermilion)”. “AraiShu” means a light vermilion color because the color becomes lighter after washing the dyed cloth.
The color can be said close to orange red.
The color range is wide, from a vermilion like reddish color to a salmon pink kind of color are called “AraiShu”.
It is one of the colors that became popular in the late Edo period with the revival of Yamato-e.

Writer Piccolo ShuNurihanashi

The roof like design that is slightly pointed tip.
The compact fountain pen with excellent portability for memo pads, notebooks, and etc.

The most traditional color of urushi, “Shu(vermilion)” is used and made it matte finish.
“Nuri-hanashi (unpolished)” is the technique without polishing after painting.
It requires very high level techniques because there are no post processes.

Cigar Long ROBIN with WHITE ROSE　

Cigar Long AOSUJI AGEHA (Common Bluebottle)　

The motif is “Aosuji Ageha” which has a beautiful blue-green wing pattern that inhabit mainly in urban areas in Japan (south of Tohoku).
The beautiful blue-green lines of its characteristic wings are fantastically expressed with Raden.
A butterfly on the cap is drawn by charcoal powder piling up, and the details also are drawn with fine lines of charcoal powders.
The blue-green lines on the wings are expressed by pasting finely cut iridescent shells.
At the bottom of the body, crushed noctilucent shells were sprended to create a gradation.
By using Kuroiro as the base color, the entire design is unified with the black and blue-green image of the Aosuji Ageha, and creating a sophisticated and beautiful finish.