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Ryogiri Midori (Web-exclusive model)

It is designed with the image of the logs for a log house.

Base color is the “Midori” inspired by the color of evergreen leaves. It was difficult to create the beautiful green because the blue-kind color development is difficult.
The green color creates glossy and brilliant finish.

Ryogiri Kikyo (Web-exclusive model）

It is designed with the image of the logs for a log house.

Base color is the “Blue” which was made after many trials and errors. It was really difficult to create the satisfying blue because there is quite few has blue color in nature.
The wonderful blue color “Kikyo” that was named after the bellflowers, creates shining glossy and brilliant finish.

Ryogiri AraiShu (Web-exclusive model）

It is designed with the image of the logs for a log house.

The color “Arai-shu” is a different kind and quaint brighter vermilion from “Shu (vermilion)”. “Arai-shu” means a light vermilion color because the color becomes lighter after washing the dyed cloth. The color can be said close to orange red. The color range is wide, from a vermilion like reddish color to a salmon pink kind of color are called “Arai-shu”.
It is one of the colors that became popular in the late Edo period with the revival of Yamato-e.

Ryogiri ShuNurihanashi (Web-exclusive model）

It is designed with the image of the logs for a log house.

The most traditional color of urushi, “Shu(vermilion)” is used and made it matte finish.
“Nuri-hanashi (unpolished)” is the technique without polishing after painting. It requires very high level techniques because there are no post processes.

D-17 Long BLUE ROSE

A rose is drawn on the cap as a focal point with shells. The body has a spiral line. All are carefully drawn using the Raden technique.
The base is Heki-tamenuri, giving it a softer impression than the black base.

“Raden” is a decorating technique that the pearl colored inner part of a seashell is cut into various thin shapes and attached to the lacquered surface.

D-17 Long MUKUGE

The 17mm barrel is heavy and fits firmly in the hand, giving the fountain pen a sense of stability.

A rose of Sharon (Mukuge) is drawn on the cap as a focal point with shells. In addition to using the shells as is, shadings are added to the petals with vermilion lacquer to create a soft and cute look. The body has a spiral line. All are carefully drawn using the Raden technique.
The base is Heki-tamenuri, giving it a softer impression than the black base.
A rose of Sharon (Mukuge) belongs to the same family Malvaceae as hibiscus. It is said that the flower has come to Japan during the Heian period, and has been used as arrangement flower for a tea ceremony. The ephemeral nature of Mukuge which blooms at dawn and wilts in the evening is expressed in the historical fact as “Kinka, a day’s glory (dream).” Along with the winter camellia, this flower has been loved by tea masters.

D-17 Portable IROHA MOMIJI　

Dorsal Fin 1 Midori Ishime

This model has a fin on the cap that acts as a roll stopper.
It is designed with the image of a knife.
”Ishime kanshitsu, Green” uses a special blue-green color lacquer for a base color and the same color dry lacquer powder.
The beautiful finish reminds of a turquoise with a color between blue and green.
“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

D-17 Portable ZARYU

Dorsal Fin 1 Kuro-tame Ishime

This model has a fin on the cap that acts as a roll stopper.
“Ishime kanshitsu, Kuro-tamenuri” uses the shu (vermilion) lacquer for a base color and a black dry lacquer powder.
The finish becomes rough and powerful like a lava, the same as “Ishime kanshitsu, Aka-tamenuri”.
“Ishime kanshitsu, Kuro-tamenuri” has a darker color because it uses the shuai urushi lacquer mixed with black lacquer for the finish.
“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.