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Writer Piccolo Toki-tame

The roof like design that is slightly pointed tip.
The compact fountain pen with excellent portability for memo pads, notebooks, and etc.

The combination of the pinkish base color inspired by the Japanese traditional color “toki-iro” and the upper lacquer, shuai urushi create very soft an bright finish.
“Tamenuri” has the characteristics of translucent amber color like being sucked in, so you can clearly see how the lacquer has accumulated.

Writer Piccolo BlackHairline

The roof like design that is slightly pointed tip, different from the portable size and long size design.
The compact fountain pen with excellent portability for memo pads, notebooks, and etc.

Due to the traditional black color lacquer is used for the base color and draw a very thin line to the base each by each very carefully, the hairline like pattern is created.
And the unpolished finish makes vintage and quaint like Sumiko finish.

Writer Piccolo Shobu

The roof like design that is slightly pointed tip.
The compact fountain pen with excellent portability for memo pads, notebooks, and etc.

Base color is the “Purple” which was made after many trials and errors.
It was quite difficult to create the satisfying purple because the blue-kind colors development is really hard.
The beautiful perple color “Shobu” that was named after the irises, creates shining glossy and deep finish.

Writer Piccolo Midori

The roof like design that is slightly pointed tip.
The compact fountain pen with excellent portability for memo pads, notebooks, and etc.

Base color is the “Midori” inspired by the color of evergreen leaves.
It was difficult to create the beautiful green because the blue-kind color development is difficult.
The green color creates glossy and brilliant finish.

Writer Piccolo Kikyo

The roof like design that is slightly pointed tip.
The compact fountain pen with excellent portability for memo pads, notebooks, and etc.

Base color is the “Blue” which was made after many trials and errors.
It was really difficult to create the satisfying blue because there is quite few has blue color in nature.
The wonderful blue color “Kikyo” that was named after the bellflowers, creates shining glossy and brilliant finish.

Writer Piccilo AraiShu

The roof like design that is slightly pointed tip.
The compact fountain pen with excellent portability for memo pads, notebooks, and etc.

The color “AraiShu” is a different kind and quaint brighter vermilion from “Shu (vermilion)”. “AraiShu” means a light vermilion color because the color becomes lighter after washing the dyed cloth.
The color can be said close to orange red.
The color range is wide, from a vermilion like reddish color to a salmon pink kind of color are called “AraiShu”.
It is one of the colors that became popular in the late Edo period with the revival of Yamato-e.

Writer Piccolo ShuNurihanashi

The roof like design that is slightly pointed tip.
The compact fountain pen with excellent portability for memo pads, notebooks, and etc.

The most traditional color of urushi, “Shu(vermilion)” is used and made it matte finish.
“Nuri-hanashi (unpolished)” is the technique without polishing after painting.
It requires very high level techniques because there are no post processes.

NeoStandard KINTSUGI

For new barrel, the kintsugi-style maki-e lacquerware gives the appearance of having been repaired using the kintsugi technique, an ancient Japanese restoration technique.

NeoStandard BLUE BIRD

All of the bird’s body is painted with blue over a layer of gold. The wings were created by first drawing the thin lines with gold, and then spreading tiny shells all over.

Writer Portable FORGET-ME-NOT　

Drawing the little blue Forget-me- not flowers on the Kikyo color base express the ephemeral and modest image of the flowers.

The leaves are drawn with tsuke-gaki technique and the center part of the flower is drawn with silver lacquer.