Search results

Dorsal Fin 1 Kuro-tame Ishime

This model has a fin on the cap that acts as a roll stopper.
“Ishime kanshitsu, Kuro-tamenuri” uses the shu (vermilion) lacquer for a base color and a black dry lacquer powder.
The finish becomes rough and powerful like a lava, the same as “Ishime kanshitsu, Aka-tamenuri”.
“Ishime kanshitsu, Kuro-tamenuri” has a darker color because it uses the shuai urushi lacquer mixed with black lacquer for the finish.
“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

Dorsal Fin 1 Aka-tame Ishime

This model has a fin on the cap that acts as a roll stopper.
It is designed with the image of a knife.
” Ishime kanshitsu, Aka-tamenuri” uses the shu (vermilion) lacquer for a base color and a black dry lacquer powder, and finishs with a shu-ai lacquer.
It is similar to “Ishime kanshitsu, Kuro-tamenuri” finish but it has more reddish color. So it seems like a hot lava.
“Ishime” is created with the special technique that makes stone like texture on the surface. When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

Dorsal Fin 1 Heki-tame Ishime

This model has a fin on the cap that acts as a roll stopper. It is designed with the image of a knife.
”Ishime kanshitsu, Heki-tamenuri” uses the special blue color lacquer for a base and the same special color dry lacquer powder, and finishs with a shu-ai lacquer.

“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places. Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

D-17 Portable BAT

We expressed bats flying around freely in the middle of the night by Yakomakie (gold Makie).
The moon is drawn by Tame-Sukashi technique and clouds are thinly colored black on gold Maki-e.

Dorsal Fin 2 Kuro-tame Ishime

This model has fins on the cap and the body that acts as a roll stopper. It is designed with the image of a Katana, a sword.
“Ishime kanshitsu, Kuro-tamenuri” uses the shu (vermilion) lacquer for a base color and a black dry lacquer powder.
The finish becomes rough and powerful like a lava, the same as “Ishime kanshitsu, Aka-tamenuri”.
“Ishime kanshitsu, Kuro-tamenuri” has a darker color because it uses the shuai urushi lacquer mixed with black lacquer for the finish.
“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.

*The Music (pen nib) is quite unique, so it is NOT available with Dorsal Fin 2 model.

Dorsal Fin 2 Aka-tame Ishime

This model has fins on the cap and the body that acts as a roll stopper. It is designed with the image of a Katana, a sword.
” Ishime kanshitsu, Aka-tamenuri” uses the shu (vermilion) lacquer for a base color and a black dry lacquer powder, and finishs with a shu-ai lacquer.
It is similar to “Ishime kanshitsu, Kuro-tamenuri” finish but it has more reddish color.
So it seems like a hot lava.
“Ishime” is created with the special technique that makes stone like texture on the surface.
When the dry lacquer powder is sprinkled on a lacquered surface, surface tension works and the powder gathered in places.
Making use of the clumps created by chance, layer the lacquer, let it fix, and then polish it to create “Ishime”.
It will be the “cobblestone-like” finish in the garden.
*The Music (pen nib) is quite unique, so it is NOT available with Dorsal Fin 2 model.

Dorsal Fin 2 Heki-tame Ishime

This is the 2nd version of “Dorsal Fin” model is a rolling stoper as whole body itself. The model this time was made a rolling stopper for not only a cap, but also a barrel by the requiremant. So we cannot mount a clip because of the “dorsal fin” on a barrel.

*The Music (pen nib) is quite unique, so it is NOT available with Dorsal Fin 2 model.

Cigar Piccolo HONKATAJI Heki-tame

Since the it is covered with cloth, the diameter will be about 1mm bigger than the original one.
To express “antique” or “old” looks, creat some cracks in the lacquer to reveal the cloth underneath, we create a texture that looks like it has been used for many years.
Because it is handmade, the shape and size of the cracks design will not be the same. Basically, there is one crack across the cap and body, two long and short cracks on the body, and one or two cracks on the grip section. 

Cigar Portable AUTUMN EVENING

We described “Hagi (bush clover)” by the “Yako Maki-e” technique. This motif has many bowstrings so that the contrast of this motif’s edge of the line has also so many. This picture is taken after 1 month from the production. You can see the color slightly changed to red from the edge. As same as “Tame-sukashi” technique, the background in “shu” (red) becomes brighter as time passes. In case of Yako-nuri technique, the main motif (bush clover) is heaped up by black urushi, so this motif shines clearly with bright Shu color as background.

Cigar Long KARASU

Based on the crow painting from Yosa Buson’s signature work, “Kite and Crow”, it is expressed in Yako Makie.
The old tree and two crows were drawn using “Yako Maki-e” technique, and the snow is drawn by silver powder.
And branches of old tree covered with snow is drawn on the grip section using also “Yako Maki-e” technique.
Using “Yako Maki-e” technique made it possible to successfully express a calm and somber atmosphere of Ink brush painting (sumi-e).
The base color is “Aka-tamenuri”.
“Yako Maki-e” is Nakaya’s original name for the technique that drawing motifs with black lacquer on “tamenuri” base. As the Tamenuri background becomes brighter over time, the black lacquered motifs become more apparent.