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D-17 Portable Midori

The 17mm barrel is heavy and fits firmly in the hand, giving the fountain pen a sense of stability.

Base color is the “Midori” inspired by the color of evergreen leaves.
It was difficult to create the beautiful green because the blue-kind color development is difficult.
The green color creates glossy and brilliant finish.

*Only the cigar model is available. Not be manufactured as a ballpoint pen.

D-17 Portable Kikyo

The 17mm barrel is heavy and fits firmly in the hand, giving the fountain pen a sense of stability.

The color is the “Blue” which was made after many trials and errors.
It was really difficult to create the satisfying blue because there is quite few has blue color in nature.
The wonderful blue color “Kikyo” that was named after the bellflowers, creates shining glossy and brilliant finish.
*Only the cigar model is available. Not be manufactured as a ballpoint pen.

D-17 Portable AraiShu

The 17mm barrel is heavy and fits firmly in the hand, giving the fountain pen a sense of stability.

The color “AraiShu” is a different kind and quaint brighter vermilion from “Shu (vermilion)”. “AraiShu” means a light vermilion color because the color becomes lighter after washing the dyed cloth. The color can be said close to orange red. The color range is wide, from a vermilion like reddish color to a salmon pink kind of color are called “AraiShu”.
It is one of the colors that became popular in the late Edo period with the revival of Yamato-e.

*Only the cigar model is available. Not be manufactured as a ballpoint pen.

D-17 Portable ShuNurihanashi　

The 17mm barrel is heavy and fits firmly in the hand, giving the fountain pen a sense of stability.

The most traditional color of urushi, “Shu(vermilion)” is used and made it matte finish.
“NuriHanashi (unpolished)” is the technique without polishing after painting. It requires very high level techniques because there are no post processes.

*Only the cigar model is available. Not be manufactured as a ballpoint pen.

Ryogiri BlackHairline (Web-exclusive model）

It is designed with the image of the logs for a log house.

Due to the traditional black color lacquer is used for the base color and draw a very thin line to the base each by each very carefully, the hairline like pattern is created. And the unpolished finish makes vintage and quaint like Sumiko finish.

Ryogiri Shobu (Web-exclusive modl）

It is designed with the image of the logs for a log house.

Base color is the “Purple” which was made after many trials and errors. It was quite difficult to create the satisfying purple because the blue-kind colors development is really hard.
The beautiful purple color “Shobu” that was named after the irises, creates shining glossy and deep finish.

Ryogiri Midori (Web-exclusive model)

It is designed with the image of the logs for a log house.

Base color is the “Midori” inspired by the color of evergreen leaves. It was difficult to create the beautiful green because the blue-kind color development is difficult.
The green color creates glossy and brilliant finish.

Ryogiri Kikyo (Web-exclusive model）

It is designed with the image of the logs for a log house.

Base color is the “Blue” which was made after many trials and errors. It was really difficult to create the satisfying blue because there is quite few has blue color in nature.
The wonderful blue color “Kikyo” that was named after the bellflowers, creates shining glossy and brilliant finish.

Ryogiri AraiShu (Web-exclusive model）

It is designed with the image of the logs for a log house.

The color “Arai-shu” is a different kind and quaint brighter vermilion from “Shu (vermilion)”. “Arai-shu” means a light vermilion color because the color becomes lighter after washing the dyed cloth. The color can be said close to orange red. The color range is wide, from a vermilion like reddish color to a salmon pink kind of color are called “Arai-shu”.
It is one of the colors that became popular in the late Edo period with the revival of Yamato-e.

Ryogiri ShuNurihanashi (Web-exclusive model）

It is designed with the image of the logs for a log house.

The most traditional color of urushi, “Shu(vermilion)” is used and made it matte finish.
“Nuri-hanashi (unpolished)” is the technique without polishing after painting. It requires very high level techniques because there are no post processes.